Constellation Caliban : figurations of a character
著者
書誌事項
Constellation Caliban : figurations of a character
（Text, 10）
Rodopi, 1997
注記
Includes bibliographical references and index
内容説明・目次
内容説明
We are now in the Age of Caliban rather than in the Time of Ariel or the Era of Prospero, Harold Bloom claimed in 1992. Bloom was specifically referring to Caliban's rising popularity as the prototype of the colonised or repressed subject, especially since the 1980s. However, already earlier the figure of Caliban had inspired artists from the most divergent backgrounds: Robert Browning, Ernest Renan, Aime Cesaire, and Peter Greenaway, to name only some of the better known.
Much has already been published on Caliban, and there exist a number of excellent surveys of this character's appearance in literature and the other arts. The present collection does not aim to trace Caliban over the ages. Rather, Constellation Caliban intends to look at a number of specific refigurations of Caliban. What is the Caliban-figure's role and function within a specific work of art? What is its relation to the other signifiers in that work of art? What interests are invested in the Caliban-figure, what values does it represent or advocate? Whose interests and values are these?
These and similar questions guided the contributors to the present volume. In other words, what one finds here is not a study of origins, not a genealogy, not a reception-study, but rather a fascinating series of case studies informed by current theoretical debate in areas such as women's studies, sociology of literature and of the intellectuals, nation-formation, new historicism, etc.
Its interdisciplinary approach and its attention to matters of multi-culturalism make Constellation Caliban into an unusually wide ranging and highly original contribution to Shakespeare-studies. The book should appeal to students of English Literature, Modern European Literature, Comparative Literature, Drama or Theatre Studies, and Cultural Studies, as well as to anyone interested in looking at literature within a broad social and historical context while still appreciating detailed textual analyses.
目次
Preface. Dirk DELABASTITA: Caliban's Afterlife. Reading Shakespearean Readings. Paul FRANSSEN: A Muddy Mirror. Barbara BAERT: Caliban as a Wild-Man. An Iconographical Approach. Jurgen PIETERS: Gazing at the Borders of The Tempest. Shakespeare, Greenblatt, and de Certeau. Koenraad GELDOF: Look Who's Talking. Caliban in Shakespeare, Renan and Guehenno. Ortwin de GRAEF: Browning Born to Wordsworth. Intimations of Relatability from Recollections of Early Monstrosity. Maarten van DELDEN: The Survival of the Prettiest. Transmutations of Darwin in Jose Enrique Rodo's Ariel. Bart PHILIPSEN & Georgi VERBEECK: Caliban in the Weimar Republic. Arnold Zweig on Antisemitism. Kristine VANDEN BERGHE: The Forgotten Caliban of Anibal Ponce. Herman SERVOTTE: Auden's Caliban. Man's 'Drab Mortality'. Tim YOUNGS: Cruising against the Id. The Transformation of Caliban in Forbidden Planet. A. James ARNOLD: Caliban, Culture and Nation-Building in the Caribbean. Nadia LIE: Countering Caliban. Roberto Fernandez Retamar and the Post-colonial Debate. Chantal ZABUS & Kevin A. DWYER: I'll be wise hereafter. Caliban in Postmodern British Cinema. Hedwig SCHWALL: Banville's Caliban as a Prestidigitator. Theo D'HAEN: The Tempest Now and Twenty Years After. Rachel Ingalls's Mrs Caliban and Tad Williams's Caliban's Hour. Cedric C. BARFOOT: The Tempest Transposed. Caliban on the Moors. Index.
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