Bill Jacklin
著者
書誌事項
Bill Jacklin
Phaidon, 1997
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes index
内容説明・目次
内容説明
Bill Jacklin (b.1943) is one of the most exciting and individual artists of the generation that first came to prominence in the 1960s. From the start, he seemed destined to swim against the stream. In an era of Pop Art he chose to be an abstract artist, producing intricate patterns of grids and dots. When he had achieved success in this style, he returned to a revolutionary type of realistic representation. He was - and still is - an obsessed and obsessive painter, driven by his own compulsion to pursue an untrodden path.
This book provides the definitive mid-career survey of this British-American artist, as it deconstructs with thorough analytical depth the generation, progression and current state of Jacklin's artistic achievements; the significance of his oeuvre as a whole; and the underlying significance for his work of his personal outlook on life. This is a beautiful edition in itself, displaying innovative design, strong visual impact and a delicate yet distinctive aestheticism - which altogether substantiate the artistic sensitivity of Jacklin himself.
目次
- Introducing Bill Jacklin
- the young Jacklin
- the early career 1967-1985
- Manhattan
- the 1990s
- themes and structures
- time, space and the serial image
- list of exhibitions.
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