Chihuly baskets
著者
書誌事項
Chihuly baskets
Portland Press, 1996, c1994
2nd printing
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Catalog of an exhibition held April 8, 1994-March 1996 at museums in Washington and Montana
入力は遡及データによる
内容説明・目次
内容説明
Seeing Northwest Indian baskets collapsing under their own weight inspired Chihuly to create his groundbreaking 'Basket' series. He translated the sagging woven fibre works into translucent glass, eternally arresting their surrender to gravity -- stopping time -- and staking out his own aesthetic territory with those asymmetrical forms. In this book art historian Linda Norden, who first wrote about the artist in 1982, searches for a critical context for this work in an 'unabashedly personal effort to reconsider just what Chihuly's rather maverick art entails and to evaluate his paradoxical position vis-a-vis the contemporary art world in which he works'. Northwest historian Murray Morgan writes about the Native American baskets that so fired Chihuly's imagination when he saw them in the storerooms of the Washington State Historical Museum in 1977. Scattered throughout the book are brief statements by the artist revealing his working process. The series development is illustrated with full-page photographs of early installations and of the individual glass works and drawings.
Sepia-toned photographs of Indian baskets in Chihuly's personal collection and full-colour working shots add to this comprehensive study of Chihuly's Baskets.
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