The museum & the photograph : collecting photography at the Victoria and Albert Museum, 1853-1900
著者
書誌事項
The museum & the photograph : collecting photography at the Victoria and Albert Museum, 1853-1900
Sterling and Francine Clark Art Institute, c1998
- : paper
- タイトル別名
-
Museum and the photograph
大学図書館所蔵 全7件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
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  オランダ
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注記
"Published in conjunction with the exhibition ... on view at the Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, February 14 through May 3, 1998"--T.p. verso
Includes bibliographical references (p. 65-70)
内容説明・目次
内容説明
Public art museums and photography developed at a comparable historic moment in the mid-19th century. No museum had a more interesting relationship with photography in that period than the Victoria and Albert Museum in London. Known originally as the South Kensington Museum, the institution not only collected photographs as early as 1853 but commissioned them for documentary purposes.This volume reproduces the work of a number of noted photographers from the museum's collection, including Gustave Le Gray, Julia Margaret Cameron, Samuel Bourne, Eadward Muybridge, Peter H. Emerson, and Frederick H. Evans. An essay by Mark Haworth-Booth gives a historical overview of the photographs and the circumstances of their acquisition. Anne McCauley traces the parallels between the development of photography as a medium and the development of the public museum as a collecting entity, with comparisons of the V&A to the Bibliotheque Nationale and the Bibliotheque des Arts decoratifs in France. Using examples from the V&A collection, the book discusses early institutional attitudes towards the medium and early collections.
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