Heterocosmica : fiction and possible worlds
著者
書誌事項
Heterocosmica : fiction and possible worlds
（Parallax : re-visions of culture and society）
Johns Hopkins University Press, 1998
- : alk. paper
- : pbk.
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注記
Includes bibliographical references (p. 283-320) and indexes
内容説明・目次
- 巻冊次
-
: alk. paper ISBN 9780801857492
内容説明
Acknowledging that fiction usually bears some kind of relation to reality - for example, the London of Dickens, this text offers a theory of literary fiction based on the idea of possible worlds. Beginning with a discussion of the extant semantics and pragmatics of fictionality - by Leibniz, Russell, Frege, Searle, Auerbach and others - it relates them to literature, literary theory and narratology. The text also investigates theories of action, intention and literary communication to develop a system of concepts that allows an reinterpretation of a host of classical, modern and postmodern fictional narratives - from Defoe through Dickens, Dostoevsky, Huysmans, Bely and Kafka to Hemingway, Kundera, Rhys, Plenzdorf and Coetzee.
- 巻冊次
-
: pbk. ISBN 9780801867385
内容説明
"The universe of possible worlds is constantly expanding and diversifying thanks to the incessant world-constructing activity of human minds and hands. Literary fiction is probably the most active experimental laboratory of the world-constructing enterprise."-from the author's Preface The standard contrast between fiction and reality, notes Lubomir Dolezel, obscures an array of problems that have beset philosophers and literary critics for centuries. Commentators usually admit that fiction conveys some kind of truth-the truth of the story of Faust, for instance. They acknowledge that fiction usually bears some kind of relation to reality-for example, the London of Dickens. But both the status of the truth and the nature of the relationship have baffled, frustrated, or repelled a long line of thinkers. In Heterocosmica, Lubomir Dolezel offers nothing less than a complete theory of literary fiction based on the idea of possible worlds. Beginning with a discussion of the extant semantics and pragmatics of fictionality-by Leibniz, Russell, Frege, Searle, Auerbach, and others-he relates them to literature, literary theory, and narratology.
He also investigates theories of action, intention, and literary communication to develop a system of concepts that allows him to offer perceptive reinterpretations of a host of classical, modern, and postmodern fictional narratives-from Defoe through Dickens, Dostoevsky, Huysmans, Bely, and Kafka to Hemingway, Kundera, Rhys, Plenzdorf, and Coetzee. By careful attention to philosophical inquiry into possible worlds, especially Saul Kripke's and Jaakko Hintikka's, and through long familiarity with literary theory, Dolezel brings us an unprecedented examination of the notion of fictional worlds.
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