Opera production and its resources
Author(s)
Bibliographic Information
Opera production and its resources
(The history of Italian opera, pt. 2 . systems ; v. 4)
The University of Chicago Press, 1998
- Other Title
-
Il sistema produttivo e le sue competenze
- Uniform Title
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Storia dell'opera italiana
Available at 6 libraries
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  Tochigi
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  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
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  United Kingdom
  Germany
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Note
"Originally published as Storia dell'opera Italiana, vol. 4: Il sistema produttivo e le sue competenze, c1987 D.E.T. Edizioni di Torino." -- t.p. verso
Includes bibliographical references and indexes
Description and Table of Contents
Description
This study investigates the entire Italian operatic tradition, approaching opera not only as a distinctive musical genre but also as a form of extravagant theatre and as a complex social phenomenon. The text traces the social, economic and artistic history of the production of opera from its origins around 1600 to contemporary stagings. Although it has always been a deficit-producing enterprise, opera has maintained unchallenged pre-eminence in the culture of all Italians for centuries. The first half of the book explores the central role of theatre impresarios in putting on these complex productions and in increasing the output of librettos and scores. The second half considers the roles of the three key figures in the creation of any opera: the librettist, the composer and the singer.
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