The sultan's court : European fantasies of the East

Bibliographic Information

The sultan's court : European fantasies of the East

Alain Grosrichard ; translated by Liz Heron ; with an introduction by Mladen Dolar

(Wo es war)

Verso, 1998

  • : cloth
  • : pbk

Other Title

Structure du sérail

Uniform Title

Structure du sérail

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Description and Table of Contents

Volume

: pbk ISBN 9781859841228

Description

Edward Said's Orientalism (1978) has justly attracted great respect and attention for its account of Western perceptions and representations of the Orient, but the English-speaking world has for too long been unaware of another classic in the same field which appeared in France only a year later. Alain Grosrichard's The Sultan's Court is a fascinating and careful deconstruction of Western accounts of "Oriental despotism" in the seventeenth and eighteenth centuries, focusing particularly on portrayals of the Ottoman Empire and the supposedly enigmatic and opaque structure of the despot's power and his court of viziers, janissaries, mutes, dwarfs, eunuchs and countless wives. Drawing on the writings of travelers and philosophers such as Montesquieu, Rousseau and Voltaire, Grosrichard goes further than merely cataloguing their intense fascination with the vortex of capriciousness, violence, cruelty, lust, sexual perversion and slavery which they perceived in the seraglio. Deftly and subtly using a Lacanian psychoanalytic framework, he describes the process as one in which these leading Enlightenment figures were constructing a fantasmatic Other to counterpose to their project of a rationally based society. The Sultan's Court seeks not to refute the misconceptions but rather to expose the nature of the fantasy and what it can reveal about modern political thought and power relations more generally.
Volume

: cloth ISBN 9781859848166

Description

Edward Said's Orientalism has been much praised for its account of Western perceptions of the Orient. But the English-speaking world has for too long been unaware of another classic in the same field which appeared in France only a year later. Alain Grosrichard's The Sultan's Court is a fascinating survey of Western accounts of "Oriental despotism" in the seventeenth and eighteenth centuries. It focuses particularly on portrayals of the Ottoman Empire and the supposedly enigmatic structure of the despot's court-the seraglio-with its viziers, janissaries, mutes, dwarfs, eunuchs and countless wives. Drawing on the writings of travellers and philosophers such as Montesquieu, Rousseau and Voltaire, Grosrichard goes further than merely cataloguing their intense fascination with the vortex of capriciousness, violence, cruelty, lust, sexual perversion and slavery which they perceived in the seraglio. Deftly and subtly using a Lacanian psychoanalytical framework, he describes the process as one in which these leading Enlightenment figures were constructing a fantastic Other to counterpose their project of a rationally based society. The Sultan's Court seeks not to refute the misconceptions but rather explore the nature of the fantasy and what it can reveal about modern political thought and power relations more generally."

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