The heir of Redclyffe
Author(s)
Bibliographic Information
The heir of Redclyffe
(The world's classics)
Oxford University Press, 1997
- : pbk
Available at 7 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Originally published, 1853
Includes bibliographical references: p. [xxvii]
Description and Table of Contents
Description
`Not till then did he understand his own feelings, and recognize her as the being he had dreamt of ...Sternly as he was wont to treat his impulses, he did not look on his affection as an earthborn fancy, liable to draw him from higher things, and therefore to be combated; he deemed her rather a guide and guard whose love might arm him, soothe him and encourage him ...' First published in 1853, The Heir of Redclyffe was the foundation of Charlotte Yonge's fame and the most successful novel of the century, surpassing even the work of Dickens and Thackeray in popularity. Its themes characterize the early-Victorian mood of romantic virtue, self-sacrifice and piety, epitomizing the period's nostalgia for an idealized chivalric past. Young baronet Sir Guy Morville fights to overcome his faults and the ancestral curse on his house, his spiritual journey combined with courtship of his guardian's daughter Amabel, and feuding with his worldly, priggish cousin Philip. The reader's attention is rapt to the end as Guy struggles to resist temptations to give way to his violent temper, provocation following provocation, until the final, dramatic vindication of his character.
Adopted by William Morris and Burne-Jones `as a pattern for actual life', Guy was a popular role model of chivalric heroism, while Amabel is the ideal Victorian wife, mother and widow, redeemer and inspirer, support and guide. The Heir of Redclyffe is a virtual paradigm of the trends of thought which marked the middle decades of the nineteenth century, and is deeply marked by the influence of the Oxford Movement. Barbara Dennis's illuminating introduction examines the novel's relationship to religious controversy and representation of women in the context of its age. This book is intended for courses in Victorian studies and the novel; nineteenth-century fiction; women's studies.
by "Nielsen BookData"