The aesthetic contract : statutes of art and intellectual work in modernity

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書誌事項

The aesthetic contract : statutes of art and intellectual work in modernity

Henry Sussman

Stanford University Press, 1997

  • : cloth
  • : pbk

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注記

Includes bibliographical references (p. 291-311) and index

内容説明・目次

内容説明

Ambitious in scope and innovative in concept, this book offers an overview and critique of the conventions surrounding artistic creativity and intellectual endeavor since the outset of "the broader modernity", which the author sees as beginning with the decline of feudalism and the Church. As a work of intellectual history, it suggests that art and the conventions associated with the artistic constitute a secular institution that has supplanted pre-Reformation theology. From the perspective of the "subject," modernity has entailed a heightened sense of individuation, moral conflict, and pervasive loss and disaster. Yet the pitfalls that have earmarked personal experience have taken on positive value in an artistic enterprise that aspires to be a salutary replacement for externally imposed theological dogmas. Beginning with Luther, Calvin, and Shakespeare and culminating with the Kantian notion of the artist as an "original genius," the author reconstructs the steps by which art and creative activity were installed as the redemptive values of a modernity in which human beings were forced to define knowledge and establish authority according to their own devices. In the process, the author reads passages from Plato, Proust, Donne, Locke, Berkeley, Hume, Kleist, Rousseau, Melville, Wittgenstein, as well as Benjamin, as well as the graphic works of Holbein, Durer, Mondrian, and Rothko. As a work of critical theory, The Aesthetic Contract posits an alternative model to Kant's "original genius." The author explores an understanding of art powered by the notion of the aesthetic contract, in which artists and intellectuals choose to operate within the parameters of certain explicit experiments until the contractual clauses that delimit these endeavors lose their currency or validity. As an intellectual analog to Rousseau's social contract, the aesthetic contract has allowed the modern artist to address issues of knowledge, authority, and experience once thought to fall within the domain of arbitrary, remote, and inaccessible agencies.

目次

  • Introduction: criticism and cartography
  • Part I. The Emergence of the Artist as Priest in a Secular Art Religion: 1. Portraits of modernity
  • 2. Framing modernity: Protestant and critical reformations
  • 3. The knowledge of modernity: tragedy and empiricism
  • 4. Melancholic borders: from Trauerspiel to 'Michael Kohlhaas'
  • 5. Kant and the anointment of the modern artist
  • Part II. Untimely Propositions on the Contracting of Art in Modernity: 6. Corollaries to the aesthetic contract
  • 7. Maxima moralia: millennial fragments on the public and private dimensions of language
  • Part III. The World at Large: Systematic Expansionism on the Threshold of Modernity's Realization: 8. From social to aesthetic contract
  • 9. Between sublimities: Melville, Whaling, and the melodrama of incest
  • Conclusion: parting shots: final portraits
  • Notes
  • Index.

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