Arthur Dove : a retrospective

著者

書誌事項

Arthur Dove : a retrospective

Debra Bricker Balken ; in collaboration with William C. Agee and Elizabeth Hutton Turner

Addison Gallery of American Art, Phillips Academy , MIT Press, Massachusetts Institute of Technology , In association with the Phillips Collection, c1997

  • : hardcover
  • : pbk

タイトル別名

A retrospective

大学図書館所蔵 件 / 全10件

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注記

Exhibition catalogue

Published on the occasion of an exhibition organized by the Addison Gallery of American Art, the Phillips Academy, Andover, Mass., and the Phillips Collection, Washington, D.C., shown at the Phillips Collection, Sept. 20, 1997-Jan. 4, 1998 ; Whitney Museum of American Art, New York, Jan. 15-Apr. 12, 1998 ; Addison Gallery of American Art, Andover, Massachusetts, Apr. 25-Jul. 12, 1998 ; Los Angeles County Museum of Art, Aug. 2-Oct. 4, 1998

"The exhibitions was organized by the Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, and the Phillips Collection, Washington, D.C."--T.p. verso

Includes bibliographical references and index

内容説明・目次

内容説明

In collaboration with William C. Agee and Elizabeth Hutton Turner The American artist Arthur Dove (1880-1946), purportedly the first artist to have produced an abstract painting, has always occupied a central place in writings on early American modernism. This book accompanies the first major exhibition on Dove since 1974. The exhibition, organized by the Addison Gallery of American Art and the Phillips Collection, covers the period from 1908, the year after Dove took up painting, through 1946, the year of his death. It is comprised of approximately eighty paintings, collages, pastels, and charcoal drawings. Along with Georgia O'Keeffe and John Marin, Dove was touted for more than three decades by photographer and dealer Alfred Stieglitz as an American original, one whose work was prescient in its opposition to the materialism of a newly industrialized America. Essays by Balken, Agee, and Turner discuss Dove's interactions with Stieglitz and others in his circle, including O'Keeffe, Marin, Marsden Hartley, and Paul Strand, and re-examine Dove in the context of early twentieth-century intellectual and cultural history. The book contains color plates of all the works in the exhibition; the essays are profusely illustrated with black-and-white images not included in the exhibition. Apart from an out-of-print catalogue raisonne, this book is the largest and most comprehensive publication to date on Dove's work. Copublished with the Addison Gallery of American Art in association with the Phillips Collection

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