The double screen : medium and representation in Chinese painting
著者
書誌事項
The double screen : medium and representation in Chinese painting
University of Chicago Press, 1996
- : cloth
- : pbk.
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注記
Includes bibliographical references (p. 280-287)
内容説明・目次
内容説明
This study explores Chinese paintings as both material products and pictorial representations. The author seeks to show how the collaboration and tension between material form and image gives life to a painting. A screen occupies a space and divides it, and has been a favourite pictorial image in Chinese art since antiquity. Wu Hung provides a comprehensive analysis of the screen, which can be an object, an art medium, a pictorial motif, or all three at once.
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