Music from the Tang Court : transcribed from the original, unpublished, Sino-Japanese manuscripts, together with a survey of relevant historical sources (both Chinese and Japanese)
著者
書誌事項
Music from the Tang Court : transcribed from the original, unpublished, Sino-Japanese manuscripts, together with a survey of relevant historical sources (both Chinese and Japanese)
Music Dept., Oxford University Press, c1981-
- : pbk. : v. 1
- v. 2
楽譜（印刷）（スコア）
- タイトル別名
-
唐朝傳来の音楽
大学図書館所蔵 件 / 全11件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
For ensembles of Japanese instruments
Includes bibliographical references
収録内容
- 1. Suite, "The Emperor destroys the formations" = Ō-dai hajin-raku = Huang-di pozhen-yue
内容説明・目次
内容説明
During the two centuries before 841, the Japanese Court borrowed a large amount of secular entertainment music from China, chiefly music of the Sui and Tang Courts. This music, known as 'Tang Music' is preserved in manuscripts written between the eighth and thirteenth centuries and to be seen today in the library of the Imperial Palace in Tokyo and in other Japanese libraries. This second fascicle includes two further suites from the Ichikotsu-cho mode-key group, namely Toraden, which probably originated in the early eighth century, and Shunno-den, a ballet-suite believed to have its source in a late seventh-century piece in imitation of Cettia diphone cantans - a bush warbler with a nightingale-like song. In addition, and continuing the study of the first fascicle, a justified, conflated text of O-dai hajin-raku on a single stave will be included. In the light of this, a version for performance can be established.
目次
- Glossary
- Abbreviations
- 1. The Whirl-Around
- 2. The Singing of Spring Warblers
- 3. O-dai hajin-raku
- 4. Aspects of the suite-form in East Asia.
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