Shakespeare on film
著者
書誌事項
Shakespeare on film
（New casebooks）
Macmillan, 1998
- : pbk
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注記
Bibliography: p. 196-198
Includes index
内容説明・目次
- 巻冊次
-
ISBN 9780333720165
内容説明
This collection of criticism highlights the extent to which recent discussion of Shakespeare on film has drawn upon the theoretical perspectives of Marxism, feminism, psychoanalysis and post-modernism generating a radical reappraisal of a Shakespearean cinema. Ranging widely across the canon of Shakespeare films, from Max Reinhardt's "A Midsummer Night's Dream" to Peter Greenaway's "Prospero's Books". The essays address the cultural politics of film adaptation from a variety of angles, offering readings of individual films, including "Hamlet", "Henry V" and "The Tempest", but also raising larger questions about the nature, purpose and future direction of Shakespearean cinema.
目次
- Acknowledgements - General Editor's Preface - Introduction
- R.Shaughnessy - Realising Shakespeare on Film
- J.J.Jorgens - Laurence Olivier's Henry V
- A.Davies - Shakespeare and Film: A Question of Perspective
- C.Belsey - Radical Potentiality and Institutional Closure
- G.Holderness - Symbolism in Shakespeare Film
- J.Collick - Olivier, Hamlet and Freud
- P.S.Donaldson - Branagh and the Prince, or a 'royal fellowship of death'
- C.Breight - A Post-National European Cinema: A Consideration of Derek Jarman's The Tempest and Edward II
- C.MacCabe - Katherina Bound
- or Play(K)ating the Strictures of Everyday Life
- B.Hodgdon - Drowning the Book: Prospero's Books and the Textual Shakespeare
- D.Lanier - Further Reading - Notes on Contributors - Index
- 巻冊次
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: pbk ISBN 9780333720172
内容説明
This collection of contemporary criticism highlights the extent to which recent discussion of Shakespeare on film has drawn upon the theoretical perspectives of Marxism, feminism, psychoanalysis and post-structuralism, generating a radical reappraisal of a Shakespearean cinema which has itself experienced a revival in the last decade. Ranging widely across the canon of Shakespeare films, from Max Reinhardt's A Midsummer Night's Dream to Peter Greenaway's Prospero's Books, the essays address the cultural politics of film adaptation from a variety of angles, offering readings of individual films - Hamlet, Henry V, The Tempest - but also raising larger questions about the nature, purpose and future direction of Shakespearean cinema.
目次
- Acknowledgements.- General Editor's Preface.- Introduction
- R.Shaughnessy.- Realising Shakespeare on Film
- J.J.Jorgens.- Laurence Olivier's Henry V
- A.Davies.- Shakespeare and Film: A Question of Perspective
- C.Belsey.- Radical Potentiality and Institutional Closure
- G.Holderness.- Symbolism in Shakespeare Film
- J.Collick.- Olivier, Hamlet and Freud
- P.S.Donaldson.- Branagh and the Prince, or a 'royal fellowship of death'
- C.Breight.- A Post-National European Cinema: A Consideration of Derek Jarman's The Tempest and Edward II
- C.MacCabe.- Katherina Bound
- or Play(K)ating the Strictures of Everyday Life
- B.Hodgdon.- Drowning the Book: Prospero's Books and the Textual Shakespeare
- D.Lanier.- Further Reading.- Notes on Contributors.- Index.
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