Messiaen, Quatuor pour la fin du temps

著者

書誌事項

Messiaen, Quatuor pour la fin du temps

Anthony Pople

（Cambridge music handbooks）

Cambridge University Press, 1998

  • : hbk
  • : pbk

タイトル別名

Quatuor pour la fin du temps

大学図書館所蔵 件 / 全9件

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注記

Includes bibliographical references (p. 112) and index

内容説明・目次

内容説明

The Quatuor pour la fin du temps (Quartet for the End of Time) is among the best-known compositions by Olivier Messiaen (1908-92). Like virtually all of his works, it combines the striking technical achievement of Messiaen's rich and attractive musical style with a deeply felt theological inspiration - in this case from the apocalyptic events described in the Book of Revelation, leading to the end of Time itself. Composed while Messiaen was a prisoner-of-war and premiered under extraordinary conditions in Stalag VIIIA in 1941, the work retains a powerful immediacy that has made it a favourite of performers and audiences alike. Anthony Pople's book provides an introduction to Messiaen's style through an examination of this great work, showing how it came to be composed and giving an in-depth assessment of each of its eight movements.

目次

  • Introduction
  • 1. 'Liturgie de cristal'
  • 2. 'Vocalise, pour l'Ange qui annonce la fin du temps'
  • 3. 'Abime des oiseaux'
  • 4. 'Intermede'
  • 5. 'Louange a l'eternite de Jesus'
  • 6. 'Danse de la fureur, pour les septs trompettes'
  • 7. 'Fouillis d'arcs-en-ciel, pour l'Ange qui annonce la fin du temps'
  • 8. 'Louange a l'Immortalite de Jesus'
  • 9. Contexts.

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