The origins of postmodernity
Author(s)
Bibliographic Information
The origins of postmodernity
Verso, 1998
- : pbk
Available at / 32 libraries
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Graduate School of Asian and African Area Studies, Kyoto Universityアフリカ専攻
: pbk309||And99075812
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Note
Includes bibliographical references and index
Description and Table of Contents
- Volume
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: pbk ISBN 9781859842225
Description
Where does the idea of the postmodern come from? Who first conceived, and who developed it? How have its meanings changed? What purposes do they serve? These are the questions addressed in The Origins of Postmodernity. The answers take us from Lima to Angkor, to Paris and Munich, to China and the stars. At the center of the story is the figure of Fredric Jameson, theorist supreme of postmodernism. What happens to art, time, politics, in the age of the spectacle? What has ended, and what has begun?
- Volume
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ISBN 9781859848647
Description
Trenchant and panoramic, The Origins of Postmodernity traces the genesis, consolidation and consequences of the notion of the postmodern. Beginning its exhilarating intellectual tour in the Hispanic world of the 1930s, it follows the changes in the meanings and usage of the concept through to the late 1970s, when its adoption by Jean-Francois Lyotard and Jorgen Habermas first gave the idea of postmodernism wider currency. Central attention then falls on Fredric Jameson, whose work today represents the most outstanding general theory of the postmodern. Reconstructing the intellectual and political background of Jameson's interpretation of the present, The Origins of Postmodernity looks at its aftereffects in the debates of the 1990s. Anderson enriches his much-cited analysis of modernism by placing postmodernism in the force field of a declasse bourgeoisie, the growth of mediatised technology and the historic global defeat of the left symbolised by the end of the Cold War. Rigorously pursuing his interpretation of postmodernism as the cultural logic of a multinational capitalism 'complacent beyond precedent', Anderson ends with a set of historical reflections on the fading of modernism, shifts in the system of the arts, the rise of the spectacular, debates on the 'end of art', and on the fate of politics in the postmodern world.
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