Surrealism in exile and the beginning of the New York school
著者
書誌事項
Surrealism in exile and the beginning of the New York school
MIT Press, 1997, c1995
- : pbk
- タイトル別名
-
Surrealism in exile
大学図書館所蔵 全5件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
"First MIT Press paperback edition, 1997"--T.p. verso
Bibliography: p. [442]-453
Includes index
内容説明・目次
内容説明
In this detailed account of what was happening within Surrealism during the crucial years 1938-1947, Martica Sawin documents the cultural transfer that took place when the greater part of the prewar Surrealist group was transplanted to the Western Hemisphere. Sawin's year-by-year narrative pieces together when and how the refugees arrived and their various points of contact with the future abstract expressionists. It documents conclusively the roots of the New York Scool - a hybrid of startling vigour that brought world attention to the new American art for the first time - the evolution of the artworks involved, and the last brilliant flowering of Surrealist art. Interwoven with the text are 250 photographs of people, places and artworks. Sawin details the lives and work of such key figures as Tanguy, Matta, Ernst, Masson, Breton and others, tracing events that culminated in a new mode of painting that emerged in New York by the mid-1940s particularly in the work of those artists who were in closest contact with the Surrealist emigres, painters such as Gorky, Motherwell and Pollock.
An epilogue takes up the postwar fate of both the European refugees and the American artists, the well-known success stories as well as the tragic suicides.
目次
- France, 1938 - the railroad station of the imagination and the dream
- France, 1939 - "the curtain has risen on a forest fire"
- New York, 1939 - the prepared ground
- France, 1940-1941 - the Marseilles game
- New York, 1941 - in a land without myth
- New York, 1942 - veils and transparents
- the Mexican connection
- New York, 1943 - a new momentum begins
- New York, 1944-1945 - young cherry trees secured against hares
- Paris, 1945-1947 - in the time of lean cows.
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