Three plays
Author(s)
Bibliographic Information
Three plays
Oxford University Press, 1994
- Other Title
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3 plays
- Uniform Title
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Plays
Available at 1 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Contents of Works
- Nāga-mandala
- Hayavadana
- Tughlaq
Description and Table of Contents
Description
Tughlaq is a historical play in the manner of the nineteenth-century Parsee theatre. It deals with the tumultous reign of the medieval Sultan, Muhammad Tuhlaq, a visionary, a poet and one of the most gifted individuals to ascend the throne of Delhi who also came to be considered one of the most spectacular failure in history. Hayavadana was one of the first modern Indian plays to employ traditional theatre techniques. The various conventions - music, mime, masks, the framing narrative, the mixing of human and non-human worlds - are here used for a simultaneous presentation of alternative points of view, for alternative analyses of human problem posed by a story from the Kathasaritsagar. In Naga-Mandala, Karnad turns to oral tales, usually narrated by women while feeding children in the kitchen. Two such tales are fused here. The first one comments on the paradoxical nature of oral tales in general: they have an existence of their own, independent of the teller, and yet live only when they are passed on from one to another. Ensconced within this is the story of a girl who makes up tales in order to come to grips with her life.
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