Women and visual culture in nineteenth-century France, 1800-1852
著者
書誌事項
Women and visual culture in nineteenth-century France, 1800-1852
Leicester University Press, 1998
- : hbk
- : pbk
- タイトル別名
-
Women & visual culture in early 19th century France, 1800-1852
大学図書館所蔵 全24件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Bibliography: p. 261-272
Includes index
内容説明・目次
- 巻冊次
-
: hbk ISBN 9780718501488
内容説明
Examining the relationship of class, gender and race to visual culture in 19th-century France, this book uses contemporary sources to consider the work of women artists, critics and writers. It seeks to challenge many assumptions about female invisibility and objectification in bourgeois culture. In the first half of the 19th century, women, although at a serious disadvantage, became visible as artists, critics and patrons, and were not all invisible, domesticated or construed by forces outside their control. Artists such as Angelique Mongez painted heroic neo-classical nudes, while many named - and anonymous - women wrote art criticism, articulating their views as female spectators. The book examines notions of "appropriate" work for women in relation to landscape, genre, sculpture and the emergence of Realism. It also discusses the role of black women during this period, when French photographers visited Algeria, Egypt and the Sudan. The book illustrates many long-forgotten works and discusses texts which seek to throw a new light on this period in the production of visual bourgeois culture.
目次
- Ways of seeing
- women and the power of the bourgeoisie
- the visualization of gender
- what do women say when they look?
- the reality of gender
- bodies of evidence - race, gender and representation.
- 巻冊次
-
: pbk ISBN 9780718502713
内容説明
Examining the relationship of class, gender and race to visual culture in early 19th-century France, this study looks at the work of women artists, critics and writers to demonstrate that many of the assumptions about female invisibility and objectivization need reconsideration.
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