Architecture theory since 1968

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書誌事項

Architecture theory since 1968

edited by K. Michael Hays

MIT Press, c1998

  • : hc : alk. paper

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注記

At head of title: Columbia University Graduate School of Architecture, Planning and Preservation, New York, New York

"A Columbia book of architecture"--T.p. verso

Includes bibliographical references and index

内容説明・目次

内容説明

In the discussion of architecture, there is a prevailing sentiment that, since 1968, cultural production in its traditional sense can no longer be understood to rise spontaneously, as a matter of social course, but must now be constructed through ever more self-conscious theoretical procedures. The development of interpretive modes of various stripes - post-structuralist, Marxian, phenomenological, psychoanalytic, as well as others dissenting or eccentric - has given scholars a range of tools for rethinking architecture in relation to other fields, and for reasserting architecture's general importance in intellectual discourse. This anthology presents 47 of the primary texts of architecture theory, introducing each with an explication of the concepts and categories necessary for its understanding and evaluation. It also presents 12 documents of projects or events that had major theoretical repercussions for the period. Contributors to this anthology include: Diana Agrest; George Baird; Jean-Louis Cohen; Jacques Derrida; Michel Foucault; Kenneth Frampton; Catherine Ingraham; Jeffrey Kipnis; Daniel Libeskind; Aldo Rossi; Denise Scott Brown; Jorge Silvetti; Martin Steinmann; Georges Teyssot; and Mark Wigley.

目次

  • Toward a critique of architectural ideology, Manfredo Tafuri
  • "La dimension amoureuse" in architecture, George Baird
  • no-stop city, Archizoom Assiociati
  • learning from pop, Denise Scott Brown
  • cemetery of San Sataldo, Modena, Aldo Rossi
  • introduction to "Five Architects", Colin Rowe
  • Wall House, John Hejduk
  • from "Collage City", manuscript in circulation from 1973, Colin Rowe and Fred Koetter
  • linguistics in architecture, Mario Gandelsonas
  • the new architecture and the avant-garde, Massimo Scolari
  • l'architecture dans le boudoir - the language of criticism and the criticism of language, Manfredo Tafuri
  • from "The Production of Space", Henri Lefebvre
  • architectural metaphors, Denis Hollier
  • design versus non-design, Diana Agrest
  • the architectural paradox, Bernard Tschumi
  • the architecture of the Ecole des Beaux-Arts
  • post-functionalism, Peter Eisenman
  • gray architecture as post-modernism, or, up and down from orthodoxy, Robert A.M. Stern
  • reality as history - notes for a discussion of realism in architecture, Martin Steinmann
  • formalism - realism, Bernard Huet
  • the beauty of shadows, Jorge Silvetti
  • the third typology, Anthony Vidler
  • heterotopias and the history of spaces, Georges Teyssot
  • post-modern architecture, Charles A. Jencks
  • Neue Staatsgalerie, Stuttgart, James Stirling
  • life in the metropolis, or, the culture of congestion, Rem Koolhaas
  • from briccolage to myth, or, how to put Humpty-Dumpty together again, Alan Colquhoun
  • the only path for architecture, Maurice Culot and Leon Krier
  • school at Quentin-en-Yvelines, Leon Krier
  • the status of man and the status of his objects - a reading of "The Human Condition", Kenneth Frampton
  • Gehry House, Santa Monica, California, Frank Gehry
  • loss of synthesis - Mies's pavilion, Jose Quetglas
  • eupalinos or architecture, Massimo Cacciari
  • the Manhattan transcripts, Bernard Tschumi
  • modern and postmodern architecture, Jurgen Habermas
  • space, knowledge and power, Michel Foucault
  • architecture and the critique of ideology, Frederic Jameson
  • introduction to "Architecture and the Crisis of Modern Science", Albert Perez-Gomez
  • chamber works, Daniel Libeskind
  • in front of lines that leave nothing behind, Robin Evans
  • architectural design as a system of research programmes, Stanford Anderson
  • the italophiles at work, Jean-Louis Cohen
  • the end of the classical - the end of the beginning, the end of the end, Peter Eisenman
  • the overexposed city, Paul Virilio
  • the perimeter projects - notes for design, Robert Segrest
  • point de folie - maintenant l'architecture, Jacques Derrida
  • moving arrows, eros and other errors - an architecture of absence, Peter Eisenman
  • la citta nuova -modernity and continuity, Sanford Kwinter
  • weak architecture, Ignasi de Sola-Morales
  • "l'esprit nouveau" - architecture and "publicite", Beatriz Colomina
  • the burdens of linearity - donkey urbanism, Catherine Ingraham
  • the translation of architecture, the production of Babel, Mark Wigley
  • deconstructivist architecture
  • architecture and poli

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