Italian futurist theatre, 1909-1944
著者
書誌事項
Italian futurist theatre, 1909-1944
Clarendon Press , Oxford University Press, 1998
- : hdc
大学図書館所蔵 全8件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [555]-576) and index
内容説明・目次
内容説明
Italian Futurist Theatre provides an overview of the theatrical activities of the Italian Futurist movement, headed by F. T. Marinetti. It analyses the theory and practice of Futurist performance, covers the theatre work of all leading artists and writers of the movement, and discusses the principal aims and achievements of their theatrical experiments. The main focus of the study is directed towards reconstructing the performance history of Futurist
theatre. But it also incorporates aspects of dramatic writing, stage and costume design and theatre architecture, and is heavily illustrated.
Although the significance of Futurism for the art and culture of this century is universally acknowledged today, relatively little research has been undertaken with regard to the form of expression that was dearest to the Futurists: theatre. No other art could better demonstrate the movement's concept of 'art as action', propagate its anti-traditionalist stance and demonstrate its modernist aims and aesthetics. Yet the myriads of Futurist experiments in the performing arts have been
neglected by scholars, partly because documentation is not easily available, partly because of the inherent problems of reconstructing performances of the past.
This volume is the first comprehensive study of Italian Futurist theatre in the English language. It is the result of a major research project, supported by the British Academy, the Italian Ministry of Foreign Affairs, and the Ministry of Cultural Heritage. This highly original book is predominantly based on documents discovered in the course of ten years of extensive investigations in Italian archives, libraries, and private collections.
目次
- PART I: INTRODUCTION
- PART II: THE BIRTH OF A FUTURIST THEATRE
- PART III: THE SECOND FUTURIST MOVEMENT, 1920-30
- PART IV: EPILOGUE: FUTURISM IN THE 1930S AND 1940S
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