Too soon too late : history in popular culture
著者
書誌事項
Too soon too late : history in popular culture
(Theories of contemporary culture, v. 22)
Indiana University Press, c1998
- : hbk
- : pbk
大学図書館所蔵 全16件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
- 巻冊次
-
: pbk ISBN 9780253211880
内容説明
What good is history to cultural studies? Meaghan Morris looks at struggles over "history" in social settings created by capitalism: in tourist landscapes and in television time. The materials of her analysis are motels, shopping malls, beaches, and local politics. She focuses on history and cultural heritage as issues of controversy for white working-class and poor suburban communities, as well as for urban cultural elites.
- 巻冊次
-
: hbk ISBN 9780253333957
内容説明
What good is history to cultural studies? Who wants history, anyway? What can ohistoryO mean to the study of aesthetics in everyday life, and how can feminist cultural criticism participate in major public, political struggles over the meaning of the past? In this book, Meaghan Morris rejects the amnesiac model of postmodern culture: she takes issue both with currents of contemporary cultural theory that imagine a world obeyondO history, and with feminist approaches to culture that minimise questions of economy, class, and nation. Setting aside the study of historical narratives in media texts, she looks at struggles over ohistoryO in social settings created by capitalism: in tourist landscapes, and in television time. The materials of her analysis areNtowers, motels, shopping malls, beach scenes, local political combat zones. She focuses on history and cultural heritage as intensely conflicted issues for white working class and poor heritage as intensely conflicted issues for white working class and poor suburban communities, as well as for urban cultural elites. However, the popular cultures creating history in these spaces is never simply onationalO in scale or force.
As local, regional, and global economic pressures and cultural influences interact in different places, enduring new forms of politics are emerging that cultural theorists need to take time to understand. Too Soon Too Late builds on Claire JohnstonOs early work in feminist film history to ask how critics can learn more responsively to see history in popular culture.
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