Beclouded visions : Hiroshima-Nagasaki and the art of witness
Author(s)
Bibliographic Information
Beclouded visions : Hiroshima-Nagasaki and the art of witness
(SUNY series, interruptions : border testimony(ies) and critical discourse/s)
State University of New York Press, c1999
- : pbk
Available at 14 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. [201]-207) and index
Description and Table of Contents
Description
Beclouded Visions is an exploration of the many and varied ways in which atrocity has shaped the requirements of art, vision, and collective memory in the twentieth century. The atomic bombs that were dropped on Hiroshima and Nagasaki serve as a starting point, but what begins as a study of visual culture related to the atomic bombings soon generates questions that can be applied to multiple sites and practices of communal remembrance.
Drawing on a diverse array of images—ranging from military photographs to survivor paintings—Maclear asks what it means to see such representations. What does it mean to put a face to horror? Does "seeing everything" make us more humane? Is it possible to become inured to images of violence? She probes the nature of our fascination with images of horror, and she questions our attachment to pictorial realism and graphic memory. Placing philosophers such as Jacques Derrida, Walter Benjamin, and Theodore Adorno in the context of ongoing debates about history and memory, Beclouded Visions provides a refreshing perspective on art, remembrance, and mourning.
Table of Contents
List of Illustrations
Acknowledgments
Introduction
1. Atomic Visions
Because There Were and There Weren't Cities Called Hiroshima and Nagasaki
2. Art from the Ashes
3. The Art of Witnessing
4. Strange Gaze
5. Mourning the Remains
6. The Limits of Vision
7. Witnessing Otherwise
Conclusion: Memory Matters
Notes
Works Cited
Index
by "Nielsen BookData"