Rhetoric, nature and magic in Byzantine art
著者
書誌事項
Rhetoric, nature and magic in Byzantine art
(Variorum collected studies series, CS603)
Ashgate, c1998
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注記
Includes index
Page from vii
内容説明・目次
内容説明
This is an examination of rhetoric, nature and magic in Byzantine art. The text explores artistic conventions and descriptions of works of art from early Christian and Byzantine art, and middle and late Byzantine art.
目次
- Ekphrasis: truth and convention in Byzantine descriptions of works of art
- originality in Byzantine art criticism. Early Christian and early Byzantine art: the "half cone" vault of St Stephen at Gaza
- Adam and the animals - allegory and the literal sense in early Christian art
- an early Christian marble relief at Kavala
- Christians, pagans and the representation of nature
- the mantle of earth
- magic and geometry in early Christian floor mosaics and textiles. Middle and late Byzantine art: the cage of crosses - ancient and medieval sculptures on the "little metropolis" in Athens
- a murderer among the angels - the frontispiece miniatures of Paris Gr. 510 and the iconography of the archangels in Byzantine art
- the art of comparing in Byzantium
- style and ideology in Byzantine imperial art
- the mosaics of Nea Moni - an imperial reading
- the iconography of Symeon with the Christ Child in Byzantine art
- the self-conscious angel - character study in Byzantine paintings of the annunciation
- a description of the Aretai palace and its garden
- the beauty of castles - a 10th century description of a tower at Constantinople.
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