Graphic design in the mechanical age : selections from the Merrill C. Berman collection
Author(s)
Bibliographic Information
Graphic design in the mechanical age : selections from the Merrill C. Berman collection
Yale University Press in conjunction with Williams College Museum of Art [and] Cooper-Hewitt National Design Museum, Smithsonian Institution, c1998
- :cloth
- :pbk.
Available at 13 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Exhibition catalogue
Catalog of an exhibition to be held at the Williams College Museum of Art, Williamstown, Massachusetts and the Cooper-Hewitt National Design Museum, New York, N.Y
Exhibitors: Hendrik Nicolaas Werkman, Theo van Doesburg, Edward Mcknight Kauffer ... [et al.]
"Art and design from the Merrill C. Berman collection" -- Half t.p
Description and Table of Contents
Description
Drawing from Merrill C. Berman's private collection of 20th-century posters, adverts, photomontages and graphic ephemera, this book showcases over 200 examples of progressive graphic design from the 1920s and 30s. European, Soviet and American avant-garde designers and artists of the time, using new technologies of mass production and mass distribution, marketed everything from salad oil and cigarettes to communism, utopian socialism and the avant-garde itself. These selections from the Berman Collection include works by well-known artists (Lissitzky, Rodchenko, Cassandre, Man Ray and others) and by lesser-known masters. The book begins by detailing Berman's role in shaping the history of graphic design as he amassed his collection. The authors then investigate the filtering of avant-garde design into mass produced posters and advertisements, the evolution of design production techniques in the Machine Age and the avant-garde's promotion of itself. This book accompanies an exhibition that opens at the Williams College Museum of Art in April 1998, then travels to the Cooper-Hewitt National Design Museum in February 1999, and later to Spain, Japan and The Henry Museum in Seattle.
by "Nielsen BookData"