William Blake
著者
書誌事項
William Blake
(Longman critical readers)
Longman, 1998
- : pbk
大学図書館所蔵 全21件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
- 巻冊次
-
: pbk ISBN 9780582237100
内容説明
The collection of essays presented in this volume represents some of the best recent critical work on William Blake as poet, prophet, visual artist, and social and political critic of his time.
The critical range that is represented includes examples of Marxist, New Historicist, Feminist and Psychoanalytical approaches to Blake. Taken together, the essays consider all areas and moments of Blake's career as poet, from the early lyrics to his later epic poems, and they have been chosen to reveal not only the range of Blake's concerns but also to alert the reader to the rich variety of contemporary criticism that is devoted to him. Although the majority of essays are devoted to Blake as poet, others consider his work as printmaker, illustrator, and visionary artist. However severely individual essays choose to judge him, ultimately all the contributions to this book affirm Blake as one of the great geniuses of English art and letters.
William Blake provides a valuable introduction by one of Britain's foremost critics and will be welcomed by students wanting to familiarise themselves with the work of Blake.
目次
General Editors' Preface
Acknowledgements
1. Introduction
"Mad" Blake
Marxist Criticism
i) Blake and the Radical Tradition
ii) London
"History From the Bottom Up" and the New Historicism
Blake and Art Criticism
Language and Deconstruction
Reader-Response Theory
2. E.P Thompson, "The Divine Image"
3. John Mee, "Dangerous Enthusiasm"
4. David Erdman, "Infinite London"
5. Stewart Crehan, "Producers and Devourers"
6. Susan Matthews, "Jerusalem and Nationalism"
7. John Barrell, "'Original', 'Character' and 'Individual'"
8. Kathleen Raine, "A New Mode of Printing"
9. Brenda S. Webster, "Blake, Women, and Sexuality"
10. Gerda S. Norvig, "Female Subjectivity and the Desire of Reading (in)to Balke's Book of Thel"
11. Michael Simpson, "Who Didn't Kill Blake's Fly: Moral Law and the Rule of Grammar in Songs of Experience"
12. Matt Simpson, "Blake's Songs of Innocence and Experience"
Notes on Authors
Further Reading
Index
- 巻冊次
-
ISBN 9780582237117
内容説明
This collection of critical essays on William Blake covers a wide range to include Marxist, new historicist, feminist and psychological approaches. Between them, the essays explore the most significant areas and moments of his career as poet and also print maker, illustrator and visionary artist. They explore the range of his poems from the early lyrics to the later epic poems and place Blake's work in the wider context of "English" culture, especially the resurgence of dissent in the later 18th-century.
目次
- "Mad" Blake
- Marxist criticism - Blake and the Radical tradition, London
- "history from the bottom up" and the new historicism
- Blake and art criticism
- feminism and psychoanalytic criticism
- language and deconstruction
- reader-response theory
- the divine image, E.P. Thompson
- dangerous enthusiasm, John Mee
- infinite London, David Erdman
- producers and devourers, Stewart Crehan
- "Jerusalem" and nationalism, Susan Matthews
- "original", "character" and "individual", John Barrell
- a new mode of printing, Kathleen Raine
- Blake, women, and sexuality, Brenda S. Webster
- female subjectivity and the desire of reading (in)to Blake's "Book of Thel", Gerda S. Norvig
- who didn't kill Blake's fly - moral law and the rule of grammar in "Song of Experience", Michael Simpson
- Blake's "Songs of Innocence and Experience", Matt Simpson.
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