The whole world of music : a Henry Cowell symposium
Author(s)
Bibliographic Information
The whole world of music : a Henry Cowell symposium
（Contemporary music studies, v. 16）
Harwood Academic Publishers, c1997
- : pbk
Available at 3 libraries
Note
Includes bibliographical references and index
Description and Table of Contents
Description
It is impossible to contain Henry Cowell within the boundaries of the consistencies of forms, styles, ensembles, and genres of Western art music. John Cage once described Cowell as the open sesame for new music in America. Of the thousand or so works catalogued by William Lichtenwanger, the majority are formally innovative single movement vocal or instrumental pieces, although there are 20 symphonies, five string quartets, and 8 suites of various kinds. Cowell was also innovative in his use of instruments from different cultures (jalatarang, dragonmouths, Japanese wind glasses, the shakuhachi flute) and in this book, Lou Harrison writes of Cowell's adventurous promotion of automobile junkyards for the finding of new sounds. In addition, Cowell was a tireless advocate of new music in the West, and Musics from other cultures worldwide, as a teacher, lecturer, publisher, and performer. He founded New Music Quarterly in 1927, wrote the influential book Ne In this major book of articles
Table of Contents
- Chapter 1 Henry Cowell, David Nicholls
- Part 1 Music
- Chapter 2 aEUROoeWorlds of IdeasaEURO , Steven Johnson
- Chapter 3 The Hymns and Fuguing Tunes, Wayne D. Shirley
- Part 2 Two Personal Views
- Chapter 4 Henry Cowell, Composer of Music, William Lichtenwanger
- Chapter 5 Learning from Henry, Lou Harrison
- Part 3 Words
- Chapter 6 Subversive Prophet, Kyle Gann
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