The spitting image : myth, memory, and the legacy of Vietnam
著者
書誌事項
The spitting image : myth, memory, and the legacy of Vietnam
New York University Press, c1998
- : pbk
大学図書館所蔵 全9件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Bibliography: p. 199-206
Filmography: p. 207-210
Includes index
内容説明・目次
- 巻冊次
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ISBN 9780814751466
内容説明
Lembcke (sociology, Holy Cross College), a former member of Vietnam Veterans Against the War, argues that relations between veterans and anti-war protestors were generally quite amicable, and that images of the spat-upon vet were politically constructed by the Nixon and Bush administrations to vili
- 巻冊次
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: pbk ISBN 9780814751473
内容説明
How the startling image of an anti-war protested spitting on a uniformed veteran misrepresented the narrative of Vietnam War political debate
One of the most resilient images of the Vietnam era is that of the anti-war protester - often a woman - spitting on the uniformed veteran just off the plane. The lingering potency of this icon was evident during the Gulf War, when war supporters invoked it to discredit their opposition.
In this startling book, Jerry Lembcke demonstrates that not a single incident of this sort has been convincingly documented. Rather, the anti-war Left saw in veterans a natural ally, and the relationship between anti-war forces and most veterans was defined by mutual support. Indeed one soldier wrote angrily to Vice President Spiro Agnew that the only Americans who seemed concerned about the soldier's welfare were the anti-war activists.
While the veterans were sometimes made to feel uncomfortable about their service, this sense of unease was, Lembcke argues, more often rooted in the political practices of the Right. Tracing a range of conflicts in the twentieth century, the book illustrates how regimes engaged in unpopular conflicts often vilify their domestic opponents for "stabbing the boys in the back."
Concluding with an account of the powerful role played by Hollywood in cementing the myth of the betrayed veteran through such films as Coming Home, Taxi Driver, and Rambo, Jerry Lembcke's book stands as one of the most important, original, and controversial works of cultural history in recent years.
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