Players all : performances in contemporary sport
著者
書誌事項
Players all : performances in contemporary sport
(Drama and performance studies)
Indiana University Press, c1998
- : hbk
- : pbk
大学図書館所蔵 全13件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
- 巻冊次
-
: pbk ISBN 9780253212238
内容説明
Once upon a time, sport was a contest between two individuals or teams, watched perhaps by a few people for their amusement or instruction. Soon the spectators came to be a necessary part of the activity. Today sports events have become more like spectacles designed for audience participation. Even players seem caught up in a performance in which athletic competition plays only a part. Nostalgia for a purer age of competition seems only to feed the hunger to discover new ways to join in the sports experience. Fans, athletes, coaches, merchants and manufacturers, collectors and wannabes - we've become players all.In a book that is both scholarly and engagingly personal, Robert E. Rinehart takes us into the world of contemporary sport performances, from the Olympic Games to 'The eXtreme Games', the Super Bowl to 'The American Gladiators'. He introduces us to sports tourism and the highly commercialized world of global sport.He analyzes the emergence of such 'sports' as paint ball (with its associations to the Vietnam War) and indoor rock climbing (and its links to environmentalism and self-mastery).
He shows how sports have become theatrical events, staged for an audience that is sometimes national, even international in size. Rather than agonistic drama, Rinehart likens current sport - especially the new trash sports with their explicit audience participation - to performance art. Yet he finds that even the most hallowed of traditional sports are influenced by the new culture. A playfully intellectual - or intellectually playful - romp on the playing fields of contemporary athletic competition, this book paints a revealing portrait of the new postmodern culture of sports. "Drama and Performance Studies" series - Timothy J. Wiles, editor.
目次
Foreword Acknowledgments 1. Introduction 2. Dropping Hierarchies: Toward the Study of a Contemporary Sporting Avant-Garde 3. Sport and Kitsch: A Case Study of The American Gladiators 4. Sport as Avant-Garde: A Case Study of the World Wrestling Federation 5. Sport as Epiphanic Marker: The Case of Super Bowl XXVI (26) 6. Sport as Postmodern Construction: A Case Study of Paintball 7. Sport as Constructed Audience: A Case Study of ESPN's The eXtreme Games 8. Sport as Postmodern Tourism: Warp Speed in Barcelona (Olympism, Ideology, and Experience) Notes Index
- 巻冊次
-
: hbk ISBN 9780253334268
内容説明
Once upon a time, sport was a contest between two individuals or teams, watched perhaps by a few people for their amusement or instruction. Soon the spectators came to be a necessary part of the activity. Today, sports events have become more like spectacles designed for audience participation. Even players seem caught up in a performance in which athletic competition plays only a part. Nostalgia for a purer age of competition seems only to feed the hunger to discover new ways to join in the sports experience. Fans, athletes, coaches, merchants and manufacturers, collectors and wannabes - we've become players all. In a book that is both scholarly and engagingly personal, Robert E. Rinehart takes us into the world of contemporary sport performances, from the Olympic Games to "The eXtreme Games," the Super Bowl to "The American Gladiators." He introduces us to sports tourism and the highly commercialized world of global sport. He analyzes the emergence of such "sports" as paint ball (with its associations to the Vietnam War) and indoor rock climbing (and its links to environmentalism and self-mastery).
He shows how sports have become theatrical events, staged for an audience that is sometimes national, even international in size. Rather than agonistic drama, Rinehart likens current sport - especially the new trash sports with their explicit audience participation - to performance art. Yet he finds that even the most hallowed of traditional sports are influenced by the new culture. A playfully intellectual - or intellectually playful - romp on the playing fields of contemporary athletic competition, this book paints a revealing portrait of the new postmodern culture of sports.
目次
Foreword Acknowledgments 1. Introduction 2. Dropping Hierarchies: Toward the Study of a Contemporary Sporting Avant-Garde 3. Sport and Kitsch: A Case Study of The American Gladiators 4. Sport as Avant-Garde: A Case Study of the World Wrestling Federation 5. Sport as Epiphanic Marker: The Case of Super Bowl XXVI (26) 6. Sport as Postmodern Construction: A Case Study of Paintball 7. Sport as Constructed Audience: A Case Study of ESPN's The eXtreme Games 8. Sport as Postmodern Tourism: Warp Speed in Barcelona (Olympism, Ideology, and Experience) Notes Index
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