Repositioning Shakespeare : national formations, postcolonial appropriations

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Repositioning Shakespeare : national formations, postcolonial appropriations

Thomas Cartelli

Routledge, 1999

  • : hbk
  • : pbk

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注記

Includes bibliographical references and index

内容説明・目次

内容説明

Repositioning Shakespeare offers an original assessment of a broad range of texts and cultural events that appropriate Shakespeare. Examining these materials within the context of 'the nation' in a postcolonial era, Thomas Cartelli considers: * essays by Walt Whitman * the nineteenth-century play, 'Jack Cade' * novels by Aphra Behn, Ngugi Wa Thiong'o, Michelle Cliff, Tayeb Salih, Nadine Gordimer and Robert Stone * the 1849 Astor Place Riot Cartelli places particular emphasis on redefining the 'postcolonial' in order to find a place for America. In doing so, Repositioning Shakespeare makes a considerable contribution to the continuing debate about the uses we make of Shakespeare.

目次

  • INTRODUCTION
  • Part 1 DEMOCRATIC VISTAS
  • Chapter 1 NATIVISM, NATIONALISM, AND THE COMMON MAN IN AMERICAN CONSTRUCTIONS OF SHAKESPEARE
  • Chapter 2 SHAKESPEARE AT HULL HOUSE: JANE ADDAMS'S "A MODERN LEAR" AND THE 1894 PULLMAN STRIKE
  • Chapter 3 SHAKESPEARE, 1916: CALIBAN BY THE YELLOW SANDS AND THE NEW DRAMAS OF DEMOCRACY
  • Part 2 PROSPERO'S BOOKS
  • Chapter 4 PROSPERO IN AFRICA: THE TEMPEST AS COLONIALIST TEXT AND PRETEXT
  • Chapter 5 AFTER THE TEMPEST : SHAKESPEARE, POSTCOLONIALITY, AND MICHELLE CLIFF'S NEW, NEW WORLD MIRANDA
  • Part 3 THE OTHELLO COMPLEX
  • Chapter 6 ENSLAVING THE MOOR: OTHELLO, OROONOKO, AND THE RECUPERATION OF INTRACTABILITY
  • Chapter 7 "LIKE OTHELLO": TAYEB SALIH'S SEASON OF MIGRATION AND POSTCOLONIAL SELF-FASHIONING
  • Conclusion
  • Notes
  • Works Cited INDEX

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