A feminist perspective on Renaissance drama
著者
書誌事項
A feminist perspective on Renaissance drama
Blackwell Publishers, 1999
- : pbk
大学図書館所蔵 全24件
  青森
  岩手
  宮城
  秋田
  山形
  福島
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  福井
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  長野
  岐阜
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  愛知
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  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
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  イギリス
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注記
Includes bibliographical references and index
内容説明・目次
- 巻冊次
-
ISBN 9780631205081
内容説明
We know that women made up a significant part of Renaissance theater audiences but how might they have read the plays presented there? This book uses the writings of sixteenth and seventeenth century women to construct a feminist perspective on drama by Shakespeare, Marlowe, Jonson, Middleton, Ford, and their contemporaries. Chapters are arranged thematically on key issues or genres. Women's religious compositions open up readings of plays like "Doctor Faustus" and "Measure for Measure" as interrogations of conventional beliefs which underpinned relations between men and women.Chapter 2 considers drama from across the period, including "The Spanish Tragedy", "The Revenger's Tragedy" and "The Maid's Tragedy", to show how revenge tragedy taps into deep fears and desires about women's agency and maternal power. Comedy, the female romantic quest, and the city as a site of female pleasure, are examined in diverse texts such as "All's Well That Ends Well", "The Duchess of Malfi", "The Roaring Girl" and "Epicoene".
Chapter 4 focuses on the household space as a specifically female form of imprisonment, analyzing "Romeo and Juliet", "Arden of Faversham", "The Tragedy of Mariam" and "The Changeling" and other domestic tragedies in the light of Renaissance women's experiences. The final chapter discusses queenship, subjects and women's interventions into masculine history.
目次
Acknowledgements.Introduction. 1.'Heavenly matters of theology'. 2. Revenge Tragedy. 3. 'I please my self': Female Self-fashioning. 4. Household Tragedies. 5. Queens and Subjects. Index.
- 巻冊次
-
: pbk ISBN 9780631205098
内容説明
We know that women made up a significant part of Renaissance theatre audiences but how might they have read the plays presented there?
目次
Acknowledgements. Introduction.
1.'Heavenly matters of theology'.
2. Revenge Tragedy.
3. 'I please my self': Female Self-fashioning.
4. Household Tragedies.
5. Queens and Subjects.
Index.
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