Infelicities : representations of the exotic
著者
書誌事項
Infelicities : representations of the exotic
Johns Hopkins University Press, 1998
大学図書館所蔵 全11件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes notes (p. [165]-196), bibliography (p. [197]-244), and index
Plates: between p. 112-113
内容説明・目次
内容説明
When European travellers went overseas in the 16th century, they encountered unfamiliar lands, peoples and sights. These travellers had to re-present these encounters to Europeans for whom they stood for the unfamiliar - the "exotic". But the exotic, according to the author of this work, is not something that existed prior to its "discovery". Rather, he points out, it is the very act of "discovery" which produces the exotic as such. Mason explores the texts, paintings, drawings, photographs and museum displays in which the exotic has been represented from the early modern period to the present. He describes the unique iconography that Europeans developed to represent the exotic and the means they employed to display it once artefacts were brought to Europe. In both instances, the exotic object is taken out of its original context and given a meaning and significance it never had. To differentiate the "exotic" from the "other", Mason says that in understanding the "other" there is engagment and interchange; in encountering the "exotic" it is a one-sided effort at understanding: the exotic object never gives up its meaning. The title is taken from philosopher J.L.
Austin, who used the term to refer to what happens when something goes wrong on the occasion of an act of utterance. For Mason, this "doctrine of infelicities" seems applicable to European encounters with the exotic and the efforts to represent those encounters.
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