Vesper and compline music for four principal voices
Author(s)
Bibliographic Information
Vesper and compline music for four principal voices
(Seventeenth-century Italian sacred music, v. 14)(A Garland series)
Garland Pub., 1998
Printed Music(Full Score)
- Other Title
-
Vespers and compline
Available at 3 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
With instrumental ensemble or continuo
Latin words
Includes bibliographical references
Contents of Works
- Domine ad adiuvandum : 1630 / by Giovanni Battista Biondi da Cesena
- Domine ad adiuvandum : 1653 / by Maurizio Cazzati
- Domine ad adiuvandum : 1698 / by Isabella Leonarda
- De profundis : 1600 / by Lodovico Viandana
- In te Domine speravi : 1609 / Agostino Agazzari
- Dixit Domonus : 1610 (1609) / Antonio Cifra
- Credidi : 1620 (1614) / by Giovanni Francesco Anerio
- Beati omnes : 1630 / by Giovanni Battista Biondi da Cesena
- Laudate pueri : 1650 / by Chiara Margarita Cozzolani
- Laetatus sum : 1652 / by Tarquinio Merula
- Laudate pueri : 1653 / by Marrizio Cazzati
- Magnificat : 1663 / by Marizio Cazatti
- Dixit dominus : 1654 / by Giovanni Legrenzi
- Iste confessor : 1674 (1673) / by Bonifazio Graziani
Description and Table of Contents
Description
First published in 1998. Volume 14 out of a collection of 25 of Seventeenth- Century Italian Sacred Music, focuses on the works of Vesper, and compline music for four principal voices. This series presents a large selection of Italian sacred music scored from printed part-books, works which have not been published in modem editions. Sacred music constitutes the largest gap in our present understanding of seventeenth-century Italian music. The volumes of Vesper and Compline music are arranged according to the number of principal voices, chronologically within each volume, beginning with works for one and two voices, progressing to works for three and four choirs.
Table of Contents
- Chapter 1 DOMINE AD ADIUVANDUM
- Chapter 2 DOMINE AD ADIUVANDUM
- Concertato. A 4. voci con quatro Parti di Ripieno, & doi Violini se piace
- Chapter 3 DOMINE AD ADIUVANDUM
- A quattro voci, con Violini
- Chapter 4 DE PROFUNDIS
- 4. Toni
- Chapter 5 IN TE DOMINE SPERAVI
- A 4. Octavi Toni
- Chapter 6 DIXIT DOMINUS
- Primi Toni
- Chapter 7 CREDIDI
- Terzo Tono. a 4 Voce pari
- Chapter 8 BEATI OMNES
- Quinti Toni
- Chapter 9 LAUDATE PUERI
- A 6. Doi Canti, Doi Tenori, & Doi Violini
- Chapter 10 LAETATUS SUM
- Concertato senza intonatione A 4
- Chapter 11 LAUDATE PUERI
- Concertato. A 4. con Violini se piace
- Chapter 12 MAGNIFICAT
- Concertato A 4. con Violini se piace
- Chapter 13 DIXIT DOMINUS
- A 4. Voci e Due Violini
- Chapter 14 ISTE CONFESSOR
- In Natali SS. Confessorum Tribus Vocibus cum secundo Choro
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