Critica musica : essays in honor of Paul Brainard
著者
書誌事項
Critica musica : essays in honor of Paul Brainard
（Musicology : a book series, v.18）
Gordon & Breach, c1996
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注記
"Principal publications of Paul Brainard": p. [xi]-xiii
Includes bibliographical references and index
内容説明・目次
内容説明
This is Volume 18 of eighteen in a book series on Musicology. Originally published in 1996, this is a collection of essays in honor or Paul Brainard. Critica Musica-thinking critically about music-is at the heart of Paul Brainard's long career, and of his legacy to his students, colleagues, and friends. As a scholar, performer, and teacher, Professor Brainard has embodied a thorough, meticulous, and reasoned approach to music and scholarship that has set a high standard for all who have come in contact with him.
目次
- Principal Publications of Paul Brainard
- Some Considerations of the Sources of Cristobal Galan's Music
- The Speaking Body: Gaspero Angiolini's Rhetorique Muette and the Ballet d'Action in the Eighteenth Century
- Costanzo Festa's lnviolata, integra et casta es Maria: a Double Homage Motet
- Bach, Theology, and Harmony: A New Look at the Arias
- The Symphony and the Artist's Creed: Camille Saint-Saens and His Third Symphony
- The Letter as Convention in Seventeenth-Century Venetian Opera
- Poetic and Musical Forms in the Laude of Innocenti us Dammonis
- Melody and Motive in Schenker's Earliest Writings
- Twins, Cousins, and Heirs: Relationships among Editions of Music Printed in Sixteenth-Century Venice
- Rhetoric, Rhythm, and Harmony as Keys to Schlitz's Saul, Saul, was verfolgst du mich? Bach's tempo ordinaria: A Plaine and Easie Introduction to the System
- Amorous Dialogues: Poetic Topos and Polyphonic Texture in Some Polytextual Songs of the Late Middle Ages
- The Violins in Bach's St. John Passion
- French Opera in Transition: Silvie ( 1765) by Trial and Berton
- Kindling the Compositional Fire: Haydn's Keyboard Phantasiren
- When Sources Seem to Fail: The Clarinet Parts in Mozart's K. 581 and K. 622
- From Madrigal to Toccata: Frescobaldi and the Seconda Prattica
- Beethoven and Shakespeare
- Tenors Lost and Found: The Reconstruction of Motets in Two Medieval Chansonniers
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