Early Buddhist art of China and Central Asia

書誌事項

Early Buddhist art of China and Central Asia

by Marylin Martin Rhie

(Handbuch der Orientalistik = Handbook of Oriental studies, 4. Abt. . China ; 12. Bd)

Brill, 1999-

  • : set
  • v. 1
  • v. 2. text
  • v. 2. illustrations
  • v. 3

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注記

Contents: v. 1. Later Han, Three Kingdoms, and Western Chin in China and Bactria to Shan-shan in Central Asia -- v. 2. The Eastern Chin and Sixteen Kingdoms period in China and Tumshuk, Kucha and Karashahr in Central Asia -- v. 3. The Western Ch'in in Kansu in the sixteen Kingdoms period and inter-relationships with the Buddhist art of Gandhāra

Includes bibliographical references and index

内容説明・目次

巻冊次

: set ISBN 9789004114999

内容説明

Volume two of Marylin Rhie's widely acclaimed and formative multi-volume work presents a comprehensive, scholarly and detailed study of the Buddhist art of China and Central Asia from 316-439 A.D. during the formative early periods of Buddhism in the Eastern Chin and Sixteen Kingdoms Period. Using texts translated from the Chinese together with stylistic and technical analyses, the chronology and sources of the art are more clearly defined than in previous studies for the regions of South and North China (other than Kansu) and the important sites of Tumshuk, Kucha and Karashahr on the Northern Silk Route in eastern Central Asia. Furthermore, by incorporating extensive religious and historical materials, this work not only contributes to clarifying the regional characteristics of the art, but also offers new insights into the broader, interregional relationships of this politically fragmented period.
巻冊次

v. 1 ISBN 9789004161375

内容説明

The earliest Buddhist art of China can only be understood when seen in relation to a wider area comprising Central Asia and India. This is exactly the purpose of the underlying volume. Presenting the earliest Buddhist art of China in its wider context of the Bactrian and Southern Silk Road regions in Central Asia (1st to 4th century A.D.), the author offers clarifications of the issues and new assessments regarding the cross-cultural and cross-regional interrelationships, sources, dating and chronology during these formative initial phases of Buddhism from India to China. With over 500 illustrations, 18 in full colour, 76 drawings and 14 maps, the book offers not only an overview of this complex and important period, but also the fullest and most detailed analysis of the art: individually, within its local region, and in relation to the wider, trans-Asian scope essential for a proper understanding of this period for a wide range of disciplines.
巻冊次

v. 3 ISBN 9789004184008

内容説明

This book, third in a series on the early Buddhist art of China and Central Asia, centers on Buddhist art from the Western Ch'in (385-431 A.D.) in eastern Kansu (northwest China), primarily from the cave temples of Ping-ling ssu and Mai-chi shan. A detailed chronological and iconographic study of sculptures and wall paintings in Cave 169 at Ping-ling ssu particularly yields a chronological framework for unlocking the difficult issues of dating early fifth century Chinese Buddhist art, and offers some new insights into textual sources in the Lotus, Hua-yen and Amitabha sutras. Further, this study introduces the iconographpy of the five Buddhas and its relation to the art of Gandhara and the famous five colossal T'an-yao caves at Yun-kang.

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