J.M.W. Turner : "that greatest of landscape painters" : watercolors from London museums
著者
書誌事項
J.M.W. Turner : "that greatest of landscape painters" : watercolors from London museums
Philbrook Museum of Art , the University of Washington Press, 1998
- : hbk
- : pbk
- タイトル別名
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"Near Turner's point of view", paintings by J.M.W. Turner and Thomas Moran
大学図書館所蔵 全5件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
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注記
Catalog of an exhibition held at the Philbrook Museum of Art, Tulsa, Okla., Feb. 8-April 12, 1998
"Published in conjunction with the exhibitions, J.M.W. Turner, 'That greatest of landscape painters', watercolors from London Museums, 'Near Turner's point of view', paintings by J.M.W. Turner and Thomas Moran"--T.p. verso
Includes bibliographical references (p. 162-169)
内容説明・目次
- 巻冊次
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: hbk ISBN 9780866590143
内容説明
Watercolors by the renowned 19th-century visionary, Joseph Mallord William Turner, illuminate the British artist's impact on his younger contemporary, American Thomas Moran. An essay by Richard Townsend fully outlines for the first time Turner's conceptual, compositional, and stylistic influence on Moran. Turner's influence spanned Moran's lifetime, from boyhood, when he studied Turner's prints, to his tours as an adult of the same sites where Turner had drawn decades before.Additional contributions include an overview of Turner's life and art by Andrew Wilton, a discussion of the impact on Moran of Turner's historic landscapes by David Blayney Brown, and an examination of the displays of the Turner Bequest in London during the 1850s and 60s, which Moran visited, by Ian Warrell. Judith Walsh provides a comparative examination of the watercolor techniques of both artists.
- 巻冊次
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: pbk ISBN 9780866590150
内容説明
Published in conjunction with The Philbrook Museum of Art 1998 exhibition of 42 examples of Turner's work collected from the major London galleries. Also documents a related exhibition, Near Turner's Point of View: Paintings by J.M.W. Turner and Thomas Moran and examines the scope and depth of the
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