Representation and the politics of difference
著者
書誌事項
Representation and the politics of difference
(Art history : journal of the Association of Art Historians, v. 16,
Blackwell, 1993
大学図書館所蔵 全5件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Title from cover
入力は遡及データによる
内容説明・目次
内容説明
This text is devoted to a consideration of the ways in which difference - of gender, race and age - is articulated and negotiated in visual (and sometimes also verbal) forms of representation. Thematic correspondences link the examination of objects and images from varying cultures and readers are invited, in these essays, to consider both how such objects and images are constituted and the ways in which they functioned at particular historical moments and in particular circumstances. Photography, in Smith's chapter on Carroll, is the medium through which childhood rituals are produced and defined as different from adulthood, and yet implicated with it in a politics of dissent. In Stanworth's chapter on 18th-century portraiture, consent is also an issue. Contemporary anxieties and legislative control of sexuality are manifest in the ways in which a family deploys portrait images to affirm a normative masculinity. The defining characteristics of female (as opposed to male) royal imagery at the Benin court are described in Kaplan's chapter in relation to rituals of power and control.
The court of Marie de' Medici in 17th-century Europe is the focus of Johnson's attention in an essay that addresses the difference constituted when a female ruler is commissioner and viewer of images that posit her as viewed. Theories of racial and sexual difference are brought into play in Lomas's chapter based on the canonical image of Picasso's "Les Demoiselle d'Avignon", a work which is not only here located firmly within a tradition of anthropological writing, but also opened up to new interpretation.
目次
- "Take back your mink" - Lewis Carroll, child masquerade and the age of consent, Lindsay Smith
- "Iyoba", the Queen Mother of Benin - images and ambiguity in gender and sex roles in court art - Flora "Edouwaye", S. Kaplan
- picturing a personal history - the case of Edward Onslow, Karen Stanworth
- a canon of deformity: "Les Demoiselles d'Avignon" and physical anthropology, David Lomas
- pictures fit for a queen - Peter Paul Rubens and the Marie de' Medici cycle, Geraldine A. Johnson.
「Nielsen BookData」 より