Painting in Spain, 1500-1700
著者
書誌事項
Painting in Spain, 1500-1700
（Yale University Press Pelican history of art）
Yale University Press, c1998
- : pbk
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注記
"Some sections of this book were previously published as in The Golden Age of painting in Spain, Yale University Press, 1991"--T.p. verso
Includes bibliographical references (p. [267]-274) and index
内容説明・目次
- 巻冊次
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ISBN 9780300064728
内容説明
A revised edition of the Golden Age of Painting in Spain in the YALE UNIVERSITY PRESS PELICAN HISTORY OF ART series. As well as describing and analysing Spanish painting, sculpture, and architecture, the author considers the political, economic and religious contexts of the art and artists.
- 巻冊次
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: pbk ISBN 9780300064742
内容説明
El Greco, Ribera, Velazquez, Murillo--these are but a few of the great sixteenth- and seventeenth-century artists of Spain's golden age of painting. In this authoritative and handsome book, an enlarged, extended, and revised version of his Golden Age of Painting in Spain, eminent Spanish art scholar Jonathan Brown surveys the development of painting in Spain during this fascinating period.
Focusing on the interaction between art and the socioeconomic and political conditions that prevailed in Spain's golden age, this book offers information about religious beliefs, social attitudes, the activities of patrons and collectors, and how these were absorbed and interpreted by painters. The author sets the history of Spanish paintings within a European context and explores Spain's contact with artistic centers in Italy and the Netherlands. He discusses not only Spanish artists but also such non-Spanish painters as Titian, Ruben, and Luca Giordano, who either worked in Spain or influenced other artists there. Brown also examines the collections of foreign paintings that Spanish noblemen and prelates assembled and how these collections affected the production of art and the social status of the Spanish artist. In this up-to-date and innovative analysis of two hundred years of Spanish painting, Brown describes a country that brilliantly transformed the artistic impulses it received from abroad to fit the needs of its own society.
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