No author better served : the correspondence of Samuel Beckett & Alan Schneider

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書誌事項

No author better served : the correspondence of Samuel Beckett & Alan Schneider

edited by Maurice Harmon

Harvard University Press, 1998

  • : hardcover
  • : pbk

タイトル別名

No author better served : the correspondence of Samuel Beckett and Alan Schneider

大学図書館所蔵 件 / 全14件

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注記

Includes bibliographical references and index

内容説明・目次

巻冊次

: pbk ISBN 9780674003859

内容説明

For Alan Schneider, directing Endgame, Samuel Beckett lays out the play's philosophy, then adds: "Don't mention any of this to your actors!" He claimed he couldn't talk about his work, but Beckett proves remarkably forthcoming in these pages, which document the thirty-year working relationship between the playwright and his principal producer in the United States. The correspondence between Beckett and Schneider offers an unparalleled picture of the art and craft of theater in the hands of two masters. It is also an endlessly enlightening look into the playwright's ideas and methods, his remarks a virtual crib sheet for his brilliant, eccentric plays. Alan Schneider premiered five of Beckett's plays in the United States, including Waiting for Godot, Krapp's Last Tape, and Endgame, and directed a number of revivals. Preparing for each new production, the two wrote extensive letters-about intended tone, conception of characters, irony and verbal echoes, staging details for scenes, delivery of individual lines. From such details a remarkable sense of the playwright's vision emerges, as well as a feel for the director's task. Of Godot, Beckett wrote to Schneider, "I feel my monster is in safe keeping." His confidence in the director, and Schneider's persistent probing for a surer understanding of each play, have produced a marvelous resource: a detailed map of Beckett's work in conception and in production. The correspondence starts in December 1955, shortly after their first meeting, and continues to Schneider's accidental death in March 1984 (when crossing a street to mail a letter to Beckett). The 500 letters capture the world of theater as well as the personalities of their authors. Maurice Harmon's thorough notes provide a helpful guide to people and events mentioned throughout.
巻冊次

: hardcover ISBN 9780674625228

内容説明

He claimed he couldn't talk about his work, but Samuel Beckett proves remarkably forthcoming in this text, which documents the 30-year working relationship between the playwright and Alan Schneider, his principal producer in the United States. The correpsondence between Beckett and Schneider offers a picture of the art and craft of theatre in the hands of two masters. Alan Schneider premiered five of Beckett's plays in the USA, including "Waiting for Godot", "Krapp's Last Tape", and "Endgame", and directed a number of revivals. Preparing for each new production, the two wrote extensive letters - about intended tone, conception of characters, irony and verbal echoes, staging details for scenes, and delivery of individual lines. From such details a sense of the playwright's vision emerges, as well as a feel for the director's task. The correspondence starts in December 1955, shortly after their first meeting, and continues to Schneider's accidental death in March 1984 (when crossing a street to mail a letter to Beckett). The 500 letters featured capture the world of theatre as well as the personalities of their authors.

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