Literary essays
Author(s)
Bibliographic Information
Literary essays
(Meridian : crossing aesthetics / Werner Hamacher & David E. Wellbery, editors)
Stanford University Press, 1998
- : pbk
- Other Title
-
Essays
Available at 4 libraries
  Aomori
  Iwate
  Miyagi
  Akita
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  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
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Note
Includes index
Description and Table of Contents
- Volume
-
ISBN 9780804727068
Description
The writings of Ernst Bloch represent one of the lasting linguistic and intellectual achievements of German expressionism. In them one finds a pathos and urgency, a spirit of breaking away and a projection toward a new way of seeing, thinking, and living together that has its origins in the artistic and intellectual unrest of this century's second decade. Bloch's literary essays are not, strictly speaking, "theoretical" pieces, certainly not applications to literature of some pre-existing conceptual apparatus. Collectively they represent a field of experiment in which a thinker of astonishing originality exposes his thought to the provocation of literary, musical, and artistic works, but also to such phenomena as advertisements, landscapes, cliches and obsessive images, films, and forms of interaction in country and city. What is the function of musical accompaniment in a silent film? How does a writer's birthplace imprint itself on his intellect? What is the philosophical import of the detective novel? Why is anxiety more acute when its stimulus is aural rather than visual? What is the relation between modern art and the machinery of factory production?
Such are the questions encountered here. Seldom is writing less automatic, willing to take more risks, and, quite simply, so fresh and refreshingly new. The pieces gathered here, which date from 1913 to 1964, are held together by Bloch's view of the human as being always beyond itself, as anticipating itself and never positively there. This thrust beyond the horizon of positivity expresses itself in wishes, hopes, fantasies, dreams, imaginative creations, and utopian projects. Bloch's attention is always, and in the most diverse gestures, works, and productions, alert to the energies of political transcendence.
Table of Contents
- 1. Good advice
- 2. The usual book review
- 3. Prohibition of art criticism
- 4. The art of speaking Schiller
- 5. Tricot and state uniform
- 6. Estrangements I (Janus portraits)
- 7. Estrangements II (geographica)
- 8. Keller's metaphor
- Notes
- Index.
- Volume
-
: pbk ISBN 9780804727075
Description
The writings of Ernst Bloch represent one of the lasting linguistic and intellectual achievements of German expressionism. In them one finds a pathos and urgency, a spirit of breaking away and a projection toward a new way of seeing, thinking, and living together that has its origins in the artistic and intellectual unrest of this century's second decade. Bloch's literary essays are not, strictly speaking, theoretical pieces, certainly not applications to literature of some pre-existing conceptual apparatus. Collectively they represent a field of experiment in which a thinker of astonishing originality exposes his thought to the provocation of literary, musical, and artistic works, but also to such phenomena as advertisements, landscapes, clichZs and obsessive images, films, and forms of interaction in country and city. What is the function of musical accompaniment in a silent film? How does a writer's birthplace imprint itself on his intellect? What is the philosophical import of the detective novel? Why is anxiety more acute when its stimulus is aural rather than visual? What is the relation between modern art and the machinery of factory production?
Such are the questions encountered here. Seldom is writing less automatic, willing to take more risks, and, quite simply, so fresh and refreshingly new.
Table of Contents
- 1. Good advice
- 2. The usual book review
- 3. Prohibition of art criticism
- 4. The art of speaking Schiller
- 5. Tricot and state uniform
- 6. Estrangements I (Janus portraits)
- 7. Estrangements II (geographica)
- 8. Keller's metaphor
- Notes
- Index.
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