Eighteenth-century ceramics : products for a civilised society
著者
書誌事項
Eighteenth-century ceramics : products for a civilised society
(Studies in design and material culture)
Manchester University Press, 1999
- : hardback
- : pbk
大学図書館所蔵 全4件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 223-230) and index
内容説明・目次
- 巻冊次
-
: hardback ISBN 9780719044649
内容説明
Using documents, diaries, novels and conventions of the time, this volume describes the social uses and cultural meanings of fine ceramics in the 18th century: porcelain, blue and white earthenware and creamwares. Rather than placing the objects themselves at the centre, this approach focuses on the people who used, criticized, sold and stole them, and investigates the impact these products had on the practical and imaginative lives of the 18th-century middle class. These "middling sort" of people were now able to provide refined receptacles to support the social rituals of "polite" society and these artefacts were invested with values and emblematic meanings alongside their practical or ornamental functions. Fine ceramics reinforced the social practices which represented a desire for greater refinement and comfort and were significant in framing and maintaining civilized patterns of behaviour.
目次
- The European context
- the European courts
- material progress in the production of porcelain. The economics of production and distribution in Britain: the economics of production
- taste and commerce
- politics and commerce
- business structures and money systems
- the organization of labour
- methods of distribution
- the market as spectacle
- contested property. The middle-class consumer - attitudes and values: material values
- social and cultural refinements
- middle-class ownership of fine ceramics
- taste and sensibility. Fine ceramics in social use: comforting refinement
- convivial spaces
- intimate spaces
- kitchen and table
- toxic vessels. The transmission of visual styles: images of the East
- taxonomies - ceramic production and natural histories
- emblems and personifications
- a taste for the antique.
- 巻冊次
-
: pbk ISBN 9780719044656
内容説明
This book probes the causes of and conditions for the preference of the members of the British-Bangladeshi community for a religion-based identity vis-a-vis ethnicity-based identity, and the influence of Islamists in shaping the discourse. The first book-length study to examine identity politics among the Bangladeshi diaspora delves into the micro-level dynamics, the internal and external factors and the role of the state and locates these within the broad framework of Muslim identity and Islamism, citizenship and the future of multiculturalism in Europe. Empirically grounded but enriched with in-depth analysis, and written in an accessible language this study is an invaluable reference for academics, policy makers and community activists. Students and researchers of British politics, ethnic/migration/diaspora studies, cultural studies, and political Islam will find the book extremely useful. -- .
目次
- The European context
- the European courts
- material progress in the production of porcelain. The economics of production and distribution in Britain: the economics of production
- taste and commerce
- politics and comerce
- business structures and money systems
- the organization of labour
- methods of distribution
- the market as spectacle
- contested property. The middle-class consumer - attitudes and values: material values
- social and cultural refinements
- middle-class ownership of fine ceramics
- taste and sensibility. Fine ceramics in social use: comforting refinement
- convivial spaces
- intimate spaces
- kitchen and table
- toxic vessels. The transmission of visual styles: images of the East
- taxonomies - ceramic production and natural histories
- emblems and personifications
- a taste for the antique.
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