Family frames : photography, narrative, and postmemory
著者
書誌事項
Family frames : photography, narrative, and postmemory
Harvard University Press, 1997
- : cl
- : pbk
大学図書館所蔵 全13件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 271-288) and index
内容説明・目次
内容説明
Family photographs, snapshots and portraits, affixed to the refrigerator or displayed in gilded frames, crammed into shoeboxes or catalogued in albums, they preserve ancestral history and perpetuate memories. Indeed, photography has become the family's primary means of self-representation. In this book Marianne Hirsch uncovers both the deception and the power behind this visual record. Hirsch explores the photographic conventions for constructing family relationships and discusses artistic strategies for challenging those constructions. When we capture our family photographically, we are often responding to an idealized image. Contemporary artists and writers, Hirsch shows, have exposed the gap between lived reality and a perceived ideal to witness contradictions that shape visual representations of parents and children, siblings, lovers, or extended families. Exploring fiction, imagetexts, and photographic essays, she elucidates their subversive devices, giving particular attention to literal and metaphorical masks. While permitting false impressions and misreadings, family photos have also proved a means for shaping personal and cultural memory.
Hirsch highlights an example: the wide variety of family pictures surviving the Holocaust and the displacements of late-20th-century history. Whether personal treasures, artistic constructions, or museum installations, these images link private memory to collective history.
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