Zen Buddhist landscape arts of early Muromachi Japan (1336-1573)
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Bibliographic Information
Zen Buddhist landscape arts of early Muromachi Japan (1336-1573)
(SUNY series in Buddhist studies)
State University of New York Press, c1999
- : pbk
Available at 23 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
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  United Kingdom
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Note
Includes bibliographical references (p. 279-291) and index
Description and Table of Contents
Description
Examining inscriptions on landscape paintings and related documents, this book explores the views of the "two jewels" of Japanese Zen literature, Gido Shushin (1325-1388) and Zekkai Chushin (1336-1405), and their students. These monks played important roles as advisors to the shoguns Ashikaga Yoshimitsu (1358-1408) and Yoshimochi (1386-1428), as well as to major figures in various michi or Ways of linked verse, the No theatre, ink painting, rock gardens, and other arts. By applying images of mountain retreats to their busy urban lives in the capital, these Five Mountain Zen monks provoke reconsiderations of the relation between secular and sacred and nature and culture.
Table of Contents
List of Illustrations
Preface
Acknowledgments
Introduction
1. The Chinese Religious and Cultural Context
2. Japanese Five Mountains Zen and the Poem-and-Painting Scrolls
3. The East Asian Religious Context for Cultural Practice
4. Zen Buddhist Readings of the Landscape: The Hermit at Court
5. Buddhist Illusion and the Landscape Arts
6. Buddhist Playfulness and the Landscape Arts
Conclusion
Epilogue
Notes
Glossary
Selected Bibliography
Index
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