Asian America through the lens : history, representations, and identity
Author(s)
Bibliographic Information
Asian America through the lens : history, representations, and identity
(Critical perspectives on Asian Pacific American series, v. 3)
AltaMira Press, c1998
- : hbk
- : pbk
Available at 15 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Bibliography: p. 222-230
Filmography: p. 231-238
Includes index
Description and Table of Contents
- Volume
-
: hbk ISBN 9780761991755
Description
This text surveys Asian-American cinema allowing its aesthetic, cultural, and political diversity and continuities to emerge. The author draws insight from such bodies of scholarship as African-American and Latino film studies, Marxian cultural theory, ethnic studies, and feminism.
- Volume
-
: pbk ISBN 9780761991762
Description
While some Asian American films and filmmakers are beginning to achieve acclaim in mainstream U.S. culture, neither academic scholars nor society as a whole has sufficiently taken account of the history of this rich and growing body of cinematic production. In Asian America Through the Lens, Jun Xing accomplishes the colossal task of surveying Asian American cinema for the first time, allowing its aesthetic, cultural, and political diversity and continuities to emerge. Unique insight into Asian American experience in both mainstream and alternative film production is provided by textual analysis as well as by the voices of filmmakers and actors themselves. With constant attention to the specificities of Asian American histories and cultures, Xing engages a broad range of issues and theoretical perspectives, drawing insight from such bodies of scholarship as African American and Latino film studies, Marxian cultural theory, ethnic studies and the politics of representation, and post-structuralist and feminist discourses.
Table of Contents
chapter 1 I: Introduction 1. Cultural Essentialism and Asian American Films chapter 2 2. Between a Weapon and a Formula chapter 3 3. Asian American Aesthetics chapter 4 II: Cinematic Asian Representation 1. Representation as Image chapter 5 2. Politics of Representation chapter 6 3. The Institution of Representation chapter 7 III. Documentaries as Social History 1. History as Subject: Personal Diary Films and Family Portraits chapter 8 2. History As Consciousness: Biographies and Communal Histories chapter 9 3. History as Representation: Social-Issue Documentaries chapter 10 IV: Hybrid Cinema by Asian American Women 1. Avant-Garde Film as History chapter 11 2. Time and Subjectivity chapter 12 3. Screen Space as Social Space chapter 13 V: Conclusion 1. A Cinema in Transition: "Cross-Over" Films chapter 14 2. Films from the Asian Diaspora chapter 15 Appendix: Theories on Ethnicity and Film chapter 16 Notes chapter 17 Bibliography chapter 18 Filmography chapter 19 Index
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