Making the news : modernity & the mass press in nineteenth-century France
著者
書誌事項
Making the news : modernity & the mass press in nineteenth-century France
(Studies in print culture and the history of the book)
University of Massachusetts Press, c1999
- : cloth
- : pbk
大学図書館所蔵 全17件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references
内容説明・目次
- 巻冊次
-
: cloth ISBN 9781558491762
内容説明
Much recent writing on print culture has focused on the social and political implications of the transition from "elite" to "mass" culture in the 1800s. The essays in this volume aim to add to the understanding of the role of the 19th-century French press in producing the commodities, consumers and ideological frameworks that are the hallmarks of this shift. The book also offers an opportunity for useful comparisons with recent scholarship on the rise of the popular press in the United States, Great Britain and Germany. The essays address a wide range of topics, from the emergence of commercial daily newspapers during the July Monarchy to the photographic representation of women in the Paris Commune. Together they demonstrate that the French mass press was far more heterogeneous than previously supposed, tapping into an expanding readership composed of a variety of publics - from affluent bourgeois to disaffected workers to disenfranchised women. It was also relentlessly innovative, using caricature, argot, advertisements and other attention-grabbing techniques that blurred the lines separating art, politics and the news.
- 巻冊次
-
: pbk ISBN 9781558491779
内容説明
Much recent writing on print culture has focused on the social and political implications of the transition from ""elite"" to ""mass"" culture in the 1800s. The essays in this volume aim to add to the understanding of the role of the 19th-century French press in producing the commodities, consumers and ideological frameworks that are the hallmarks of this shift. The book also offers an opportunity for useful comparisons with recent scholarship on the rise of the popular press in the United States, Great Britain and Germany. The essays address a wide range of topics, from the emergence of commercial daily newspapers during the July Monarchy to the photographic representation of women in the Paris Commune. Together they demonstrate that the French mass press was far more heterogeneous than previously supposed, tapping into an expanding readership composed of a variety of publics - from affluent bourgeois to disaffected workers to disenfranchised women. It was also relentlessly innovative, using caricature, argot, advertisements and other attention-grabbing techniques that blurred the lines separating art, politics and the news.
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