Sweetness and strength : the reception of Michelangelo in late Victorian England
著者
書誌事項
Sweetness and strength : the reception of Michelangelo in late Victorian England
Ashgate, c1998
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注記
Includes bibliographical references (p. [297]-313) and index
内容説明・目次
内容説明
This text explores the reinvention of Michelangelo in the Victorian era. At the opening of the 19th century, Michelangelo's reputation rested on the evidence of contemporary adulation recorded by Vasari and Condivi. Travel, photography, the shift of his drawings into public collections, and the publication of his poems in their original form, transformed this situation. Lene Ostermark-Johansen shows how the critical discussion of the artist's genius and work became irretrievably bound up in contemporary debates about art, religion and gender, and how the Romantic view of art and criticism as self-expression turned the focus from the work of art to the artist himself.
目次
- 18th century overture - introduction. Part 1 Michelangelo as text: lives, letters and love poems - the 19th century resurrection of Renaissance texts and manuscripts
- Petrarchism and Platonism -Michelangelo's poetry in England
- "so much meaning into so little room" - Michelangelo as translation. Part 2 Michelangelo as line: from private to public - Michelangelo drawings in England
- the critical response to Michelangelo's drawings in Victorian England
- "Michelangelo would sniff contemptuously at me, I know" - Michelangelo and Burne-Jones. Part 3 Michelangelo and the Petrarchan lover: 16th century sources on the friendship between Michelangelo and Vittoria Colonna
- poems, portraits and passions - the 19th century romance between Michelangelo and Vittoria Colonna
- pity, passion and pathos -Michelangelo as the devout Christian. Part 4 Michelangelo as the platonic lover: 16th century sources on the friendship between Michelangelo and Tommaso Cavalieri
- "the love that dare not speak its name" - Michelangelo as patron saint of sexual inversion
- from the insanity of genius to the intermediate sex - the case of Michelangelo in some post-Darwinian writings.
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