Flemish art and architecture, 1585-1700
Author(s)
Bibliographic Information
Flemish art and architecture, 1585-1700
(Yale University Press Pelican history of art)
Yale University Press, c1998
- : pbk
Available at 19 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. [303]-327) and index
Description and Table of Contents
- Volume
-
ISBN 9780300070385
Description
This beautifully illustrated book provides a complete overview of the art of the Southern Netherlands from 1585 to 1700, the years between the separation of the Southern from Northern provinces and the end of Spanish rule. Eminent Flemish art historian Hans Vlieghe examines the development of Flemish and specifically Antwerp painting, the activity and influence of Rubens and such other leading masters as Van Dyck and Jordaens, the Antwerp tradition of specialization among painters, and the sculpture and architecture of this period. He also describes the socioeconomic and political conditions that facilitated the rise, evolution, and expansion of Flemish art, focusing particularly on the Counter Reformation, which stimulated construction and decoration of new churches according to rules set out by the Council of Trent.
In the first half of the seventeenth century, Antwerp painting rapidly became one of the highlights of Baroque art. This was clearly linked to the activity of Rubens, who was immensely important not only for the astonishing stylistic quality of his work and for his enormous influence on several generations of painters, but also for his workshop practice modeled on the Italian method and his ability to familiarize others with Italian Renaissance and Early Baroque art. Yet Rubens's work can only be understood fully in the context of the Antwerp tradition. Vlieghe organizes the book around the pictorial categories of Antwerp's specialists-monumental history, cabinet history, portrait, genre, landscape and architectural, still life, animal and hunting scenes-and discusses the contributions of well known and lesser known artists to each type of painting.
- Volume
-
: pbk ISBN 9780300104691
Description
This beautifully illustrated book provides a complete overview of the art of the Southern Netherlands from 1585 to 1700. The author examines the development of Flemish and specifically Antwerp painting, the work of Rubens and other leading masters, and the Antwerp tradition of specialization among painters as well as the sculpture and architecture of this period.
"A major moment of artistic culture has been magisterially sketched by one of its leading authorities."-Larry Silver, The Art Book
"Consistently rewarding . . . a book that is going to transform how Flemish art is understood."-Jeremy Wood, Apollo Magazine
"As well as examining the output and influence of leading figures such as Rubens and Van Dyke, Vlieghe provides the historical, social and cultural context for the development of history painting and other specializations. . . . This book will attract both the informed and general reader."-Alison Smith, Art Newspaper
"Essential for current study of Belgian art."-Choice
by "Nielsen BookData"