Jewish identity in modern art history

Bibliographic Information

Jewish identity in modern art history

edited by Catherine M. Soussloff

(S. Mark Taper Foundation imprint in Jewish studies)

University of California Press, c1999

  • : pbk

Available at  / 8 libraries

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Note

Includes bibliographical references and index

Description and Table of Contents

Volume

ISBN 9780520213036

Description

In this study of Jewish identity and its meaning for the history of art, 11 influential scholars illuminate the formative role of Jews as subjects of art historical discourse. At the same time, these essays introduce to art history an understanding of the place of cultural identity in the production of scholarship. Contributors explore the meaning of Jewishness to writers and artists alike through such topics as exile, iconoclasm, and anti-Semitism. Included are essays on Anselm Kiefer and Theodor Adorno; the effects of the Enlightenment; the rise of the nation-state; and Nazi policies on art history.

Table of Contents

CONTRIBUTORS: Kalman Bland, Lisa Bloom, Louis Kaplan, Donald Kuspit, Karen Michels, Margaret Olin, Robin Reisenfeld, Lisa Saltzman, Larry Silver, Charlotte Schoell-Glass, Catherine M. Soussloff
Volume

: pbk ISBN 9780520213043

Description

In the first comprehensive study of Jewish identity and its meaning for the history of art, eleven influential scholars illuminate the formative role of Jews as subjects of art historical discourse. At the same time, these essays introduce to art history an understanding of the place of cultural identity in the production of scholarship. Contributors explore the meaning of Jewishness to writers and artists alike through such topics as exile, iconoclasm, and anti-Semitism. Included are essays on Anselm Kiefer and Theodor Adorno; the effects of the Enlightenment; the rise of the nation-state; Nazi policies on art history; the criticism of Meyer Schapiro, Clement Greenberg, and Aby Warburg; the art of Judy Chicago, Eleanor Antin, and Morris Gottlieb; and, Jewish patronage of German Expressionist art. Offering a new approach to the history of art in which the cultural identities of the makers and interpreters play a constitutive role, this collection begins an important and overdue dialogue that will have a significant impact on the fields of art history, Jewish studies, and cultural studies.

Table of Contents

CONTRIBUTORS: Kalman Bland, Lisa Bloom, Louis Kaplan, Donald Kuspit, Karen Michels, Margaret Olin, Robin Reisenfeld, Lisa Saltzman, Larry Silver, Charlotte Schoell-Glass, Catherine M. Soussloff

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