Bach and the baroque : European source materials from the baroque and early classical periods with special emphasis on the music of J.S. Bach
著者
書誌事項
Bach and the baroque : European source materials from the baroque and early classical periods with special emphasis on the music of J.S. Bach
Pendragon Press, c1995
2nd ed
- : pbk
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographcal references (p. 251-252) and index
内容説明・目次
- 巻冊次
-
ISBN 9780945193647
内容説明
Most articles written about performance practice deal withrelatively small areas (trills, overdotting, etc.), placing emphasis on citing original sources, or collating several original sources in order to support a given position.There is not sufficient information in these articles to deal with all aspects of Baroque style. This text was built on the premise that as many conclusions as possible should be drawn from the sources themselves. Leaps to conclusions about other aspects of style insufficiently documented in sources are made on the basis of the author's own experience as performer. There are different conclusions that one can reach, as the area is large, and some aspectsof style find the various sources in disagreement(e.g., time signatures) or are simply not discussed. Most of the source disagreements stem fromnational differences in style. This text, which includes regular assignments, may be used asmain material for a course on the performance of the music of J.S. Bach, or for a course onBaroque performance practice in general. From The Introduction.
- 巻冊次
-
: pbk ISBN 9780945193760
内容説明
Most articles written about performance practice deal with relatively small areas (trills, overdotting, etc.), placing emphasis on citing original sources, or collating several original sources in order to support a given position. There is not sufficient information in these articles to deal with all aspects of Baroque style. This text was built on the premise that as many conclusions as possible should be drawn from the sources themselves. Leaps to conclusions about other aspects of style insufficiently documented in sources are made on the basis of the author's own experience as performer. There are different conclusions that one can reach, as the area is large, and some aspects of style find the various sources in disagreement (e.g., time signatures) or are simply not discussed. Most of the source disagreements stem from national differences in style. used as main material for a course on the performance of the music of J.S. Bach, or for a course on Baroque performance practice in general. From The Introduction.
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