Wolfgang Amadé Mozart
Author(s)
Bibliographic Information
Wolfgang Amadé Mozart
Cambridge University Press, 1997, c1994
1st pbk. ed
- Other Title
-
Wolfgang Amadé Mozart : Annäherungen
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
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  United States of America
Note
Includes index
Bibliography: p. 354-367
Originally published in German by Henschel, Berlin, 1991
Description and Table of Contents
Description
Described in Germany as the 'most thought-provoking' book of the bicentennial year, Georg Knepler's acclaimed study of Mozart is now available in paperback. The book explores Mozart's life and works from many new perspectives, providing fresh insights into his music and the tempestuous times through which he lived. Based on a close reading of the family correspondence and a careful consideration of Mozart's entire musical output, the book sheds new light on the composer's creative psyche, his political leanings, his relation to the thoughts and currents of the Enlightenment, and the underlying basis of his musical expression.
Table of Contents
- 1. Outline of a remarkable life
- 2. From child prodigy to genius
- 3. 'Expressing convictions and thoughts ... in notes'
- 4. Mozart's reading habits
- 5. Making things significant
- 6. The major-minor opposition
- 7. Mozart in the eyes of posterity
- 8. A turning point
- 9. Taking stock of Salzburg
- 10. The move to Vienna
- 11. Other remarkable lives
- 12. 'Mozart of the Wohltatigkeit'
- 13. Convictions and thoughts: a closer look
- 14. A traditionalist?
- 15. The question of imitation
- 16. Zerlina and the three modes of music
- 17. The 'genuine natural forms' of music
- 18. Musical portraits
- 19. How opera was dramatised by the symphony
- 20. How instrumental music was semanticized by vocal music
- 21. Conclusions from endings
- 22. Building blocks and principles of construction
- 23. 'A hostile fate - though only in Vienna'
- 24. Mozart in his day and ours.
by "Nielsen BookData"