British science fiction cinema
著者
書誌事項
British science fiction cinema
(British popular cinema series)
Routledge, 1999
- : hbk
- : pbk
大学図書館所蔵 全11件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Filmography: p.[181]-208
Includes bibliographical references and index
内容説明・目次
内容説明
British Science Fiction Cinema is the first substantial study of a genre which, despite a sometimes troubled history, has produced some of the best British films, from the prewar classic Things to Come to Alien made in Britain by a British director. The contributors to this rich and provocative collection explore the diverse strangeness of British science fiction, from literary adaptions like Nineteen Eighty-Four and A Clockwork Orange to pulp fantasies and 'creature features' far removed from the acceptable face of British cinema.
Through case studies of key films like The Day the Earth Caught Fire, contributors explore the unique themes and concerns of British science fiction, from the postwar boom years to more recent productions like Hardware, and examine how science fiction cinema drew on a variety of sources, from TV adaptions like Doctor Who and the Daleks, to the horror/sf crossovers produced from John Wyndham's cult novels The Day of the Triffids and The Midwich Cuckoos (filmed as Village of the Damned). How did budget restrictions encourage the use of the 'invasion narrative' in the 1950s films? And how did films such as Unearthly Stranger and Invasion reflect fears about the decline of Britain's economic and colonial power and the 'threat' of female sexuality?
British Science Fiction Cinema celebrates the breadth and continuing vitality of British sf film-making, in both big-budget productions such as Brazil and Event Horizon and cult exploitation movies like Inseminoid and Lifeforce.
目次
Introduction: the strange world of the British science fiction film 1 Things to Come and science fiction in the 1930s 2 'We're the Martians now': British sf invasion fantasies of the 1950s and 1960s 3 Apocalypse then!: the ultimate monstrosity and strange things on the coast...an interview with Nigel Kneale 4 Alien women: the politics of sexual difference in British sf pulp cinema 5 'A stiff upper lip and a trembling lower one': John Wyndham on screen 6 Trashing London: the British colossal creature film and fantasies of mass destruction 7 The Day the Earth Caught Fire 8 Adapting telefantasy: the Doctor Who and the Daleks films 9 'A bit of the old ultra-violence': A Clockwork Orange 10 The British post-Alien intrusion film 11 Dream girls and mechanic panic: dystopia and its others in Brazil and Nineteen Eighty-Four 12 'No flesh shall be spared': Richard Stanley's Hardware
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